"Rose Stack BLD" Resin Sculpture by Ray Geary, 2015

Summer's over, broken keepsake, by Ray Geary, 2018 pills cast in clear resin and broken ceramic figures         .

"Summer's Over, Broken Keepsake", by Ray Geary, 2018 Pills Cast in Clear Resin and Broken Ceramic Figures.

Contemporary abstract resin sculpture titled, "White Pill Portal," a rectangular white resin piece with a translucent central circle in which various colorful pills are suspended. (R...

Ray Geary, "Tie Die Gold Skulls" painted and gilded felt skulls, resin, and acrylic. Signed/dated on back.

American Post-War Design silver leaf over resin sculpture of a vertical form mounted on a square base (Kevin Kelly)

French Victorian bronze doré figure of peacock sculpture signed (LeSoudier).

A sculpture by Man Ray titled 'Cadeau' in the shape of an iron with a row of nails protruding. Signed and inscribed with the edition number 2290/5...

Sculptures in hand-hammered aluminum by Jacques Jarrige. Jacques Jarrige has always explored the relationship between line and space, material and void to its very limit in his sc...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2015. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world...

Resin sculpture representing an Ammonite fossil on a lacquered wood base.

Resin women sculpture by Santini Tuscany, a one-of-a-kind piece of Italian design that is sure to make a statement in any space. This unique piece is a true work of art, crafted from...

1970s resin sculpture.