A Pair of Bronze Tiger Book-Ends

Each with a recumbent winged sphinx with scrolling foliate arabesques to their back, upon a bow-ended rectangular gadrooned plinth, the frieze with a panel applied with entrelacs, on fluted toupie feet. Several models of chenets with sphinx exist, dating from the 1780s. An example with winged sphinxes with headresses and with female mask centering the frieze, attributed to either Pierre Gouthière or Pierre-Philippe Thomire, exists in several versions in the Louvre, Versailles and the Cleveland Museum of Art (see H. Ottomeyer/P. Pröschel et al., Vergoldete Bronzen, Munich, 1986, vol.I, p.276, fig. 4.11.14.). This model is based on a drawing by the architect François-Joseph Bélanger in the Bibliothèque Nationale, illustrated op. cit., fig. 4.11.13. Another type of sphinx chenet...

Each ebony tondo carved with Roman military scenes in low relief, set in gilt Florentine style frames. Formerly part of the front doors of a cabinet. With an old label at the back of the frame, Ernest Samson, Paris. 13 1/4in. diameter sight (the dimensions otherwise indicated include the frame). These beautifully carved panels would have been part of the doors of a cabinet made to impress in a grand room in an aristocratic or royal setting. They reflect the changing taste in the first half of the 17th century for large sumptuous pieces for grand galleries and grand state apartments in royal and courtly interiors. It was not until the 17th century that France began to import exotic timbers from the Far East and South America and ebony was one of the first of these woods to be employed in cabinet-making. However, due to its rarity and cost it was almost exclusively used for veneering. French cabinetmakers who worked with ebony became known as menuisiers en ébène and later ébénistes. The carved and engraved ornament and ripple mouldings reflect the light on the glossy ebony surface. The subject-matter of these bas-relief carvings was inspired by prints with religious, mythological or literary subjects and naturalistic engraved motifs. According to Alcouffe 'These cabinets represent the synthesis of foreign (especially German) influences and traditions expressed in French Renaissance furniture...

These bronze clad tiger/lion bookends are attributed to Paul Herzel for Pompeian Bronze. These bookends have a beautiful patina and are circa 1920's. These pieces are unmarked, 6" lo...

Art Deco Silvered Bronze Tiger Bookends - France 1930´s Tigers are mounted over Belgium Black Marble. We have specialized in the sale of Art Deco and A...