Three Immortal Bronzes Sculpture

Japanese Momoyama period solid bronze cast diminutive Buddha sculpture. The piece dates from the 16th-17th century, circa 1450-1500, and is in remarkable condition with age-appropria...

Important and rare silver figures of eight immortals Yangqinghe Jiuji marks, Late Qing dynasty. Each hollow figure portraying one of the immortals in an animated pose, with highly detailed facial features, four pierced with apertures for the insertion of facial hair, clad in finely chased robes, all but two with their characteristic attributes, their bases bearing either two seal marks reading Yangqinghe Jiuji gongyibu and Zhe'ning Hu Qiusheng zao, or three marks in regular script reading Yangqinghe Jiuji gongyibu, Shang and Sheng zuo, original hand-carved wood stands. Measures: 11 1/4in (28.5cm) high (tallest one). The earliest records of the silver atelier known as Yangqinghe date to 1775 in Shanghai...

Midcentury large scale Tang Dynasty horse done in patinated bronze. I've seen smaller versions of this sculpture but this is the first large version, the detail and patination are to...

A pair of contemporary cast bronze mythological guardian animal sculptures in verdigris patina. Attracting our attention with their striking appearance, this pair of bronze sculpture...

18th century Chinese bronze duck incense burner, Qing period Please note that one foot is missing, broken off, see detailed image.  

A Meiji period bronze sculpture of a mother and son by Atsuyoshi, she is shown seated on a gnarled rootwood base, with her arm round a crying boy standing by her knee and offering her breast, wearing a short robe, trousers and a cloth incised with Mount Fuji around her head, and bare feet. Signed Atsuyoshi saku, Maruki Shachu seisaku (??????????? (??????????). Japanese, circa 1880. Footnote: Atsuyoshi is known for a number of finely modelled bronze studies of both wild and domesticated animals, almost all of them made for the Tokyo based Maruki Company. This is therefore an unusual subject matter for him and Japanese bronzes in general , however Oliver Impey and Joyce Seaman, in ‘Japanese Decorative Arts of the Meiji Period’ (in the Ashmolean Museum Collections), pp. 68-69, include a bronze group of a woman who has just finished breast feeding...