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Fidji III, a Unique Bronze & Purple Tall Sculptural Bottle by Kjell Engman

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Promenade IV, a Unique Ceramic Sculptural Tall Vase in Porcelain by Jo Taylor
By Jo Taylor
Located in London, GB
'Promenade IV’ is a unique porcelain sculpture by the British artist, Jo Taylor. Dramatic in scale Promenade IV is a sheer triumph over the material employed. Known for being one of the most difficult ceramic bodies to work with, scale is always a challenge with porcelain and with this artwork, Taylor excels. Knowing her clay is everything, created in sections allows architectural scale whilst adding grog (pre-fired grains of clay) gives stability and strength. Adorned with her trademark flourishes adds glamourous movement throughout the piece. Taylor’s inspiration comes from highly decorative architectural features such as ornate plaster ceilings, wrought iron and carved stone. Living near the Georgian city of Bath (UK) provides a rich visual resource, although it can be said that she will seek out such details wherever she goes. Regular visits to our larger cities such as Liverpool (UK) and London (UK) offer ornament that can be experienced on a grander scale with their historic buildings such as the Sefton Park Palm House and the V&A holding many further examples. Further afield the architecture of Gaudi in Barcelona, the palaces of Potsdam and the Villa D'Este in Tivoli have all provided inspiration. In her own words: ‘I enjoy the grand gesture present in large scale relief, the drama of deep shadow, the dialogue between space, structure & ornament. The changing light conditions of bright sunlight, a dull day, dusk or artificial light can affect the contrast and way the structure is perceived’ Taylor’s current practice has been evolving since graduation from her MA at Bath Spa...
Category

2010s British Organic Modern Abstract Sculptures

Materials

Ceramic, Porcelain

Tall Lily Vase, a Black / Ebony Sculptural Porcelain Vase by Vivienne Foley
By Vivienne Foley
Located in London, GB
‘Tall Lily Vase’ is a unique porcelain sculptural vessel by the British artist, Vivienne Foley, which has been released from her own personal archive of artworks. Vivienne Foley is based in Gloucestershire where she produces exquisite ceramic sculpture. Although in essence they are often functional pieces in form, it is their appearance that makes each unique work so much more. From dramatic structures to gentle sweeping curves, Foley's inherent understanding of porcelain is more than evident and testament to her patience with this most difficult of materials. Having worked with porcelain for over 5 decades, it is Foley’s dedication that gives her such sensitivity towards her medium. This combined with her expert glazing and acknowledgement of this material’s vast history, results in very fresh and modern works that equally pay homage to what has gone before. Flower forms, poppy heads, bracts and petals translate into foliate rims and sinuous necks, carved and pleated or swept into a spiral. A contemporary marriage of craft, history and nature. In her own words: “As a professional potter I have been producing thrown porcelains for over fifty years and so logic would dictate that I have ‘seen it all, done it all’ by now, but on the contrary I still continue to be challenged and interested. The technical frustrations and the uncertainty of results all seem worthwhile when one opens a successful kiln firing. The heart leaps! I have never been afraid to push my materials to the limit, to accept failures and to follow trails, but I am always excited when basic techniques and familiar methods result in something new. My primary interest is in ‘form’ and in finding solutions for what I call ‘damp engineering’. The comparatively non-plastic nature of porcelain dictates my having to join sections together, but a form must ‘flow’ and construction methods should not be obvious. Over the years I have fired every sort of kiln and dallied with glazes, spending untold hours testing and rejecting, but since I now work in a small space I find simple black and white glazes and slips are less distracting and best enhance my forms. I am not influenced by any particular thing – rather, I am interested in everything; always looking for quality and workmanship. I love all aspects of the design world from architecture to textiles. Museums, galleries and exhibitions are my addiction, with photography and the natural world a constant inspiration. My travels to China and my ongoing study of Chinese ceramics have also been an enduring theme and I have been lucky enough to handle and photograph some of the world’s great collections” Foley has a global following and is represented in private and public collections world wide. Public Collections and Acquisitions National Museum of Ireland, Dublin • Limerick City Art Gallery • Ulster Museum, N. Ireland • Crafts Council of Ireland • Centre of Ceramic Art, York Museums Trust • Southampton City Art Gallery • Leeds Museums & Galleries • US Ambassador to Ireland, Jean Kennedy Smith • President Hillery of Ireland • President Mary Robinson of Ireland • Prime Minister Charles Haughey of Ireland • President Hertzog of Israel • Prime Minister Keating of Australia • Prince Faisal of Saudi Arabia • US President Bill Clinton and Hilary Rodham Clinton • Royal Household, Sweden • Nancy Soderberg • President Jacques Chirac of France • Irish Embassy, Berlin • Sandy Lane Hotel, Barbados • Ford UK, London • Four Seasons Hotel, Amman, Jordan • Rolex...
Category

2010s British Organic Modern Vases

Materials

Ceramic, Art Glass

Gourmande, a Unique Glass Sculptural Vase with Black Crow by Julie Johnson
By Julie Johnson
Located in London, GB
Gourmande, is a hand-blown art glass vase in apricot with a removable lid adorned with a hot sculpted black glass crow holding a worm by the British artist Julie Johnson. The crow figurine...
Category

2010s French Organic Modern Animal Sculptures

Materials

Glass, Art Glass, Blown Glass

Ammonite Vessel, a Unique Steel & Moon Gold Sculptural Vessel by Claire Malet
By Claire Malet
Located in London, GB
Ammonite vessel is a unique steel & moon gold sculptural vessel by the British artist Claire Malet. Created from an oxidised re-formed steel can and hand-gilded on the interior with ...
Category

2010s British Organic Modern Vases

Materials

Steel, Gold Leaf

Spinal III, Unique Tree Inspired White & Aubergine Glass Vase by Mårten Medbo
By Mårten Medbo
Located in London, GB
‘Spinal III' is a limited edition (ed 49) tree-inspired white & aubergine glass vase by the Swedish artist, Mårten Medbo. Among his work, there are numerous examples of pieces havin...
Category

2010s Swedish Organic Modern Vases

Materials

Glass, Art Glass, Blown Glass

Striped Fold III, a Coral Parian Porcelain Sculptural Vessel by Steven Edwards
By Steven Edwards
Located in London, GB
Striped Fold III is a unique sculpture by the British artist Steven Edwards, created from white and coloured parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...
Category

2010s British Organic Modern Abstract Sculptures

Materials

Porcelain

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