Lithuanian Bottles

Handmade slab built monumental Brutalist pottery vase. Meticulously decorated and glazed with organic and geometric patterns and shapes. Applied neck. Signed and dated, Inge, 70 a th...

One of the finest examples of mid-century Troika Studios pottery we have ever seen. Cornwall, United Kingdom, 1970s.

From the John Bergen Studio in 1980s Canada comes this ceramic vase, a piece that captures the essence of post-modern design with its blend of atypical forms and motifs. Eschewing co...

Organically shaped pottery vase with satin black glaze and brutalist decor that doubles as holes for cut flower arrangement. Designed by danish ceramist Aage Würtz in the early 1970s...

Nice heavily glazed pottery vase for your collection

An organic and Brutalist style vase with Medallion motif on front and verso. Bernard Rooke (born 1938) is a British artist and studio potter. Rooke has exhibited his "Brutalist" ceramics and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Röhsska Museum in Sweden and the Trondheim Kunstmuseum in Norway. Bernard Rooke attended Ipswich School of Art studying painting and lithography before going on to study at Goldsmiths College of Art. It was while studying here that he decided to take up pottery. Although unfamiliar with this craft and tradition, he found that working with clay provided new opportunities for freedom of interpretation and creativity. In 1960 Rooke set up his first pottery in Forest Hill in South London along with Alan Wallwork. It was a very small room with enough space for a small electric kiln. He was initially using mainly hand building, coiling, blocking and slabbing techniques. While researching ideas, he was supporting himself by part-time lecturing at London University, Goldsmiths College and St Mary's College. In addition, Rooke's membership of 'The Craftsman Potters' Association' enabled him to show his work in a shop in Carnaby Street in London. In 1967, both the need for a larger working space and becoming disillusioned with living in London spurred Rooke into moving out of the city and to an old mill building in Swilland in Suffolk. Rooke wanted to widen the range of work so as to become more commercial. With the birth of his son, Aaron, and much needed work to be done on the mill, it was important to be able to make a living. In 1968, the Grand Metropolitan Hotel commissioned Rooke to make 120 standard lamps, 120 table lamps as well as a 24 foot long ceramic mural and another 9 foot high, which incorporated interior lighting. The money from the commission helped to pay for much needed restoration work on the mill. By the 1970s, a gallery space was opened in the windmill and run by Susan Rooke, Bernard's wife, selling work to locals and tourists as well as to American airmen based nearby. The vision for Mill Gallery was beginning to develop and alongside this a reputation was building bringing in a good source of income. Sons Aaron and Felix were becoming more involved with the running of the pottery, giving Bernard more time to develop new ideas and designs and more time to continue with his painting. In 2004, the Rooke family decided not to sell to the public through the gallery anymore and close the pottery to concentrate more on painting and printmaking. In 2017 Bernard's lighting was featured in the Exhibition: “Glass, Light, Paint & Clay” at the Peterborough Museum and Art Gallery. The exhibition featured four artists: Bernard Rooke, John Maltby...

This milk glass vase is in a Brutalist design and was made in Germany around 1970. Its surface is reminiscent of ice or bark, giving this vase a highly textured and interesting surface. This vase, while having a rather tough-looking design, still remains soft and clean due to its white color and rounded edges. This creates a very interesting juxtaposition that will add a cool and contemporary vibe to your interior. This ice or bark glass...

Produced by BMF (Bayerische Metallwarenfabrik) in Germany in the 1970s. Great contrasting finishes and patina.

Piece unique studio art bullet shaped stoneware vase in brown hares fur glaze. Its by an unidentified Scandinavian Ceramist: EFK and is dated 1970. The style of this piece is brutali...

Beautiful crystal vase made in Germany circa 1980s by Warmensteinach, great condition no chips or cracks.

HF Gilt is a renowned Icelandic ceramic pottery studio. The clay used in this piece is made from pumice stone collected from Icelandic volcanos. The ...

A sculptural cylindrical vase in hand embossed patinated copper. It displays all the right elements of Scandinavian Brutalism. The floral relief pattern resembles some of Axel Salto'...