Rare Erik Höglund for Boda Sweden Pair of Bottles with Embossed Bull, 1960s

Swedish glass master Erik Höglund reveled in unconventional techniques and practices — the Karlskrona native once drove glassblower Ruben Hjelm out of a studio at Boda after mixing potatoes into a crucible of molten glass to determine if he could generate bubbles in the finished object. Höglund always walked his own path, and his individuality and creative spirit defines the range of decorative objects, lighting fixtures and other works in glass that he created over the years.

Höglund was born in 1932 and studied drawing and sculpting at the Swedish School of Arts. Despite his limited experience with glass, Höglund joined Boda Glassworks when the manufacturer reached out to the school for the services of a young glass artist. He taught himself how to blow glass at night and found inspiration on travels through Europe as well as in his everyday life, creating sculptures that boasted exquisite color pairings and subdued, streamlined forms. He worked at Boda for 20 years.

The Swedish National Museum purchased Höglund’s early works for an exhibition of Swedish glass art, and in 1957, Höglund’s stunning and expressive objects and sculptures earned the Danish Lunning Prize — the highest honor for an up-and-coming Scandinavian artist. He garnered international acclaim and his colorful iron and glass candleholders, candelabras and vases went on display in New York City. His work is held in the collections of the Blekinge Museum, the National Museum of Stockholm and the Cooper Hewitt, Smithsonian Design Museum.

Höglund left Boda in 1973 to establish his own smithery. He returned to glass design in the subsequent years, when the legendary innovator created richly colored and provocative works for Pukeberg, Åhus, Nový Bor and other manufacturers.

On 1stDibs, find a collection of Erik Höglund decorative objects, lighting and dinnerware. 

Roman Erlikh is a professional woodworker with over 20 years’ experience. Roman Erlikh Studio creates bespoke and limited edition contemporary furniture and art objects. His first furniture collections were inspired by traditional Art Deco and Biedermeier styles interpreted through a modern lifestyle demands. Stepping away from merely utilitarian view of everyday objects, his recent collections are filled with meaningful textual context while incorporating traditional and modern woodworking techniques. Roman is using practical function as a common denominator to create emotionally charged art objects, blurring the boundary between art and function. While appreciating possibilities of ordinary materials, Roman is developing new mixed media multilayered composite varnishes and utilizes decorative gilding and mica veneer to actively engage ambient light, giving an additional aspect to relation of his objects to their environment. The decision to work in custom format was based on environmental concerns and opposition to culture of mass production and pure consumerism. The choice of materials was heavily influenced by sustainability and environmental concerns. All objects are made locally in the Brooklyn Navy Yard workshop. Elimination of storage and transportation needs for mass-produced furniture in lieu of creating a custom made objects on demand allows us to reduce waste of materials and energy.