Large Satsuma Antique Garniture Japanese Colorfull Vases Japan, 1900-1930

Fabulous japanese earthenware Satsuma vase. Marked Japan Kyoto Nishida Additional information: Material: Porcelain & Pottery Japanese Style: Satsuma Region of Origin: Japan Period:...

Faboulous japanese earthenware vase of larger size. Lovely and amazing winter village scene of warriors who seem to be practicing. Mark at th...

Fabulous japanese earthenware Satsuma Vase of great shape and scene. With animal head 'handles' Marked: Satsuma Additional information: Material: Porcelain & Pottery Japanese Style...

Just wanted to share this new arrival with you. A Japanese satsuma vase The base has a mark which we didn't translate yet. Origin: Japan Age: 19th century Meiji Condition Perfec. ...

Quality large antique Japanese Satsuma vase, having a quality antique Japanese Satsuma vase decorated with figures bordered by patterns in wonderful brown, white, red and gold colour...

Quality large antique Japanese satsuma lidded vase, having a fantastic large antique satsuma vase decorated with flowers, trees and insects with gilt de...

A fine quality and imposing late 19th Century Japanese Imperial Satsuma vase. Having a cobalt blue ground, scrolling gilded foliate decoration to the...

An Satsuma ceramic stone ware vase, circa 19th century, around the end of the Edo and the beginning of Meiji period. In the form of a Classic garlic bottle whose prototype was from China, the white bodied piece is decorated with an early form of kin nishikide, the so called golden brocade, a palette of iron-red, blue, green, yellow, purple and black with golden highlight. The over glazed enamel paint shows a group of robed figures in a garden setting with a lion and three tigers. A transparent overall glaze shows very fine crackles. The design is relatively sparse with plenty of negative space in contrast to the Satsuma production from the late 19th century, when the trend became fussy and overly glitz, due to the influence by the perceived western taste for the export market. This piece may still be made for export but its pattern was more influenced by both Kyoto Pottery and the Kano school of painting compared to the export ware by the end of the 19th century onward to the early 20th century. It was believed by many that this was a result of Satsuma potters visiting Kyoto in the late seventeenth century to learn over glaze painting techniques. There are some age glaze crackles especially around the foot. The piece is not signed in keeping with the earlier production before Satsuma ceramics...