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Amalric Walter Pate Deverre Lidded Vase

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Amalric Walter Pate De Verre Nude Boy Figure
By Amalric Walter
Located in Dallas, TX
Almeric Walter and Henry Mercier Pate De Verre Art Nouveau Figure of a Nude Cherub or boy seated with his hand on his head. A wonderful pâte-de-ver...
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Antique Early 1900s French Art Nouveau Figurative Sculptures

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Art Glass

Emile Galle Red Cameo Vase
By Émile Gallé
Located in Dallas, TX
Emile Gallé Art Nouveau Acid etched and cameo three color glass vase. Rose flowers are window pained and let delicate lights waves through in a translucent effect, This is a rather l...
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Antique Early 1900s Art Nouveau Vases

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Art Glass

Large Emile Galle Scenic Cameo Vase
By Émile Gallé
Located in Dallas, TX
Emile Galle scenic wheel carved and acid etched cameo vase. A beautiful and tall cameo vase by Galle. The 18 - 1/2” tall vase has a background of muted yellow glass near the base, which progresses to blue/gray at mid-vase, and then peach towards the top. Brown, cameo cut trees are generously displayed across the body of the vase, with the addition of a boat in the lake. Signed "Galle". Dimensions: 18 - 1/2” x 10” x 8”. Condition: Very good Émile Gallé (8 May 1846 in Nancy – 23 September 1904 in Nancy) was a French artist and designer who worked in glass, and is considered to be one of the major innovators in the French Art Nouveau movement. He was noted for his designs of Art Nouveau glass art and Art Nouveau furniture, and was a founder of the École de Nancy or Nancy School, a movement of design in the city of Nancy, France. Gallé born on 4 March 1846 in the city of Nancy, France. His father, Charles Gallé, was a merchant of glassware and ceramics who had settled in Nancy in 1844, and his father-in-law owned a factory in Nancy which manufactured mirrors. His father took over the direction of his mother's family business, and began to manufacture glassware with a floral design. He also took over a struggling faience factory and began manufacturing new products. The young Gallé studied philosophy and natural science at the Lycée Imperial in Nancy. At the age of sixteen he went to work for the family business as an assistant to his father, making floral designs and emblems for both faience and glass. In his spare time he became an accomplished botanist, studying with D.A. Godron, the director of the Botanical Gardens of Nancy and author of the leading textbooks on French flora. He collected plants from the region and from as far away as Italy and Switzerland. He also took courses in painting and drawing, and made numerous drawings of plants, flowers, animals and insects, which became subjects of decoration. At the age of sixteen he finished the Lycée in Nancy and went to Weimar in Germany from 1862–1866 to continue his studies in philosophy, botany, sculpture and drawing. In 1866, to prepare himself to inherit the family business, he went to work as an apprentice at the glass factory of Burgun and Schwerer in Meisenthal, and made a serious study of the chemistry of glass production. Some of his early glass and faience works for the family factory at Saint-Clémont were displayed at the 1867 Paris Universal Exposition. In early 1870 he designed a complete set of dishware with a rustic animal designs for the family enterprise. During this time he became acquainted with the painter, sculptor and engraver Victor Prouvé, an artist of the romantic "troubadour" style, who became his future collaborator in the Nancy School. He enlisted for military service in the Franco-Prussian War in 1870, then was demobilised after the disastrous French defeat in 1871 and the French loss to Germany of much of the province of Lorraine, including Meisenthal where he had done his apprenticeship. Thereafter the Cross of Lorraine, the patriotic symbol of the region, became part of his signature on many of his works of art. After his demobilization Gallé went to London, where he represented his father at an exhibition of the arts of France, then to Paris, where he remained for several months, visiting the Louvre and Cluny Museum, studying examples of ancient Egyptian art, Roman glassware and ceramics, and especially early Islamic enamelled...
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Antique Early 1900s French Art Nouveau Vases

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Art Glass

Monumental Pierre Clement Massier Iridescent Vase
By Clement Massier
Located in Dallas, TX
A monumental ceramic vase with iridescent glaze in an elongated bulbous shape by the legendary French ceramist Pierre Clement Massier (1845-1917). Massier is widely considered as...
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Antique Early 1900s French Art Nouveau Vases

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Pottery

Emile Galle Large Cameo Glass Vase
By Émile Gallé
Located in Dallas, TX
Emile Galle Tall vase with maple branches France, c. 1907-1907 Wheel carved and Acid-etched Cameo Glass Vase Height: 21.5 Inches X 8 Inch diameter (55 × 20 cm) Condition: Very Good...
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Antique Early 1900s French Art Nouveau Vases

Materials

Art Glass

Loetz Candia Papillon Art Nouveau Vase
By Loetz Glass
Located in Dallas, TX
Loetz Iridescent and oil spot Flared Neck Art glass Floriform Goose neck vase. Candia Papillon vase Austria Iridescent glass Unsigned Circa 1898 A...
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Antique 1890s Czech Art Nouveau Vases

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French "Crabe" Pâte de Verre Vide Poche by Amalric Walter and Henri Bergé
By Henri Bergé and Amalric Walter
Located in New York, NY
This French "Crabe," or "Crab," pâte de verre vide-poche glass dish by Amalric Walter and Henri Bergé, is an elongated green and blueish dish, with murky, swirling hues, mimicking th...
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Early 20th Century French Art Nouveau Decorative Dishes and Vide-Poche

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Glass Paste Plate by Victor Amalric Walter
By Amalric Walter
Located in Ciudad Autónoma Buenos Aires, C
Yellow glass paste plate with a greenish tint, with a design representing a woman by Victor Amalric Walter (1870-1959). Signature A. Walter, Nancy, Made in France. France, Circa 1...
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Art Glass, A. Walter, (Pâte de verre vide-poche by Amalric Walter), France
By Almeric Walter
Located in Ciudad Autónoma Buenos Aires, C
Pâte de verre vide-poche by Amalric Walter. Born in Sèvres on May 19, 1870, Walter first worked at the Manufacture nationale de Sèvres, near Paris, where he decorated and glazed ear...
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Art Nouveau Paperweight with Mussels Amalric Walter & Henri Mercier, Nancy
By Henri Bergé and Amalric Walter
Located in Vienna, AT
Two mussels on a yellow stone base covered with algae. Signed 'AWALTER NANCY' and 'hm'. Manufactory: Amalric Walter & Henri Bergé, Nancy, Lorraine, France Dating of manufacture: circa 1920/1930 Designer: Victor Amalric Walter (1870-1959) was a French glass manufacturer mainly known for his pâte de verre pieces. In the Cristalleries Daum at Nancy, France, he met the designer and modelist HENRI BERGÉ, with whom he produced the first pâtes de verre, which at the time were only signed with "Daum Nancy". After the war he continued to work with Henri Bergé. From 1919 to 1935 he cast no fewer than 500 models with Bergé and other famous sculptors or designers, always in few numbers due to the sophisticated technique of glass kiln casting. Henri Mercier...
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Amalric Walter and Henri Berge Pate de Verre Snail Paperweight
By Almeric Walter
Located in Sarasota, FL
Pate de verre Snail paperweight by Almeric Walter and Henri Berge, 1905. Great example of Art Nouveau executed in naturalistic style for Daum factor...
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Antique Early 1900s French Art Nouveau Animal Sculptures

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Amalric Walter and Daum Nancy "Crabe" Pâte de Verre Glass Paperweight
Located in New York, NY
This exquisite “Crabe” pâte de verre glass paperweight, by Amalric Walter and Daum Nancy is decorated with a relief of a reddish-brown crab poised upon a bright contrast of green and...
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Early 20th Century Art Nouveau Paperweights

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