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Amalric Walter Pate Deverre Lidded Vase

Price:$2,790
$3,300List Price

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Pâte de verre vide-poche by Amalric Walter. Born in Sèvres on May 19, 1870, Walter first worked at the Manufacture nationale de Sèvres, near Paris, where he decorated and glazed ear...
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Art Nouveau Paperweight with Mussels Amalric Walter & Henri Mercier, Nancy
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Two mussels on a yellow stone base covered with algae. Signed 'AWALTER NANCY' and 'hm'. Manufactory: Amalric Walter & Henri Bergé, Nancy, Lorraine, France Dating of manufacture: circa 1920/1930 Designer: Victor Amalric Walter (1870-1959) was a French glass manufacturer mainly known for his pâte de verre pieces. In the Cristalleries Daum at Nancy, France, he met the designer and modelist HENRI BERGÉ, with whom he produced the first pâtes de verre, which at the time were only signed with "Daum Nancy". After the war he continued to work with Henri Bergé. From 1919 to 1935 he cast no fewer than 500 models with Bergé and other famous sculptors or designers, always in few numbers due to the sophisticated technique of glass kiln casting. Henri Mercier...
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Amalric Walter and Daum Nancy "Crabe" Pâte de Verre Glass Paperweight
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This exquisite “Crabe” pâte de verre glass paperweight, by Amalric Walter and Daum Nancy is decorated with a relief of a reddish-brown crab poised upon a bright contrast of green and...
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"Langouste" Pâte de Verre Paperweight by Walter and Bergé
By Henri Bergé and Amalric Walter
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This French Art Nouveau pâte de verre paperweight (or "Presse Papiers") by Amalric Walter and Henri Bergé is an earlier, and smaller version of a series of "Langouste" paperweights f...
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Amalric Walter and Alfred Finot Pate De Verre Woman with Schawl Paperweight
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Amalric Walter and Alfred Finot, a seated female figure with a shawl and a necklace, Nancy, c. 1910 Gorgeous pâte-de-verre figurine in shades of jade, dark green and violet-blue colo...
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Pair of Minton pate sur pate style vases with white relief butterflies black white, and gold porcelain, circa 1900, England.
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Minton Pate Sur Pâte Style Vases
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H 12.75 in W 8 in D 6 in
Almeric Walter Pate de verre Vase Designed by Corretic, France, circa 1925
By Almeric Walter
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Almeric Walter Pate de verre vase, designed by Corretic, France, circa 1925 molded mark A Walter/Nancy, Corretic/Sc. Measures: Height 4.5...
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"Langouste" Pâte De Verre Vide-Poche by Walter and Bergé
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A French Art Nouveau pâte de verre vide-poche by Amalric Walter and Henri Bergé. This piece features a brown lobster resting on a blue-green shaped dish, circa 1900. A similar vid...
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Amalric Walter Pate De Verre Nude Boy Figure
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Monumental Pierre Clement Massier Iridescent Vase
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A monumental ceramic vase with iridescent glaze in an elongated bulbous shape by the legendary French ceramist Pierre Clement Massier (1845-1917). Massier is widely considered as...
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Large Emile Galle Scenic Cameo Vase
By Émile Gallé
Located in Dallas, TX
Emile Galle scenic wheel carved and acid etched cameo vase. A beautiful and tall cameo vase by Galle. The 18 - 1/2” tall vase has a background of muted yellow glass near the base, which progresses to blue/gray at mid-vase, and then peach towards the top. Brown, cameo cut trees are generously displayed across the body of the vase, with the addition of a boat in the lake. Signed "Galle". Dimensions: 18 - 1/2” x 10” x 8”. Condition: Very good Émile Gallé (8 May 1846 in Nancy – 23 September 1904 in Nancy) was a French artist and designer who worked in glass, and is considered to be one of the major innovators in the French Art Nouveau movement. He was noted for his designs of Art Nouveau glass art and Art Nouveau furniture, and was a founder of the École de Nancy or Nancy School, a movement of design in the city of Nancy, France. Gallé born on 4 March 1846 in the city of Nancy, France. His father, Charles Gallé, was a merchant of glassware and ceramics who had settled in Nancy in 1844, and his father-in-law owned a factory in Nancy which manufactured mirrors. His father took over the direction of his mother's family business, and began to manufacture glassware with a floral design. He also took over a struggling faience factory and began manufacturing new products. The young Gallé studied philosophy and natural science at the Lycée Imperial in Nancy. At the age of sixteen he went to work for the family business as an assistant to his father, making floral designs and emblems for both faience and glass. In his spare time he became an accomplished botanist, studying with D.A. Godron, the director of the Botanical Gardens of Nancy and author of the leading textbooks on French flora. He collected plants from the region and from as far away as Italy and Switzerland. He also took courses in painting and drawing, and made numerous drawings of plants, flowers, animals and insects, which became subjects of decoration. At the age of sixteen he finished the Lycée in Nancy and went to Weimar in Germany from 1862–1866 to continue his studies in philosophy, botany, sculpture and drawing. In 1866, to prepare himself to inherit the family business, he went to work as an apprentice at the glass factory of Burgun and Schwerer in Meisenthal, and made a serious study of the chemistry of glass production. Some of his early glass and faience works for the family factory at Saint-Clémont were displayed at the 1867 Paris Universal Exposition. In early 1870 he designed a complete set of dishware with a rustic animal designs for the family enterprise. During this time he became acquainted with the painter, sculptor and engraver Victor Prouvé, an artist of the romantic "troubadour" style, who became his future collaborator in the Nancy School. He enlisted for military service in the Franco-Prussian War in 1870, then was demobilised after the disastrous French defeat in 1871 and the French loss to Germany of much of the province of Lorraine, including Meisenthal where he had done his apprenticeship. Thereafter the Cross of Lorraine, the patriotic symbol of the region, became part of his signature on many of his works of art. After his demobilization Gallé went to London, where he represented his father at an exhibition of the arts of France, then to Paris, where he remained for several months, visiting the Louvre and Cluny Museum, studying examples of ancient Egyptian art, Roman glassware and ceramics, and especially early Islamic enamelled...
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