Antique Ming Jiajing/Wanli 16th century dish Chinese Porcelain FROG

A very nicely decorated plate. With rare decoration. Wanli period Additional information: Material: Porcelain & Pottery Region of Origin: China Period: 16th century, 17th century Tr...

A very nicely decorated plate with a scene of spring. A very subtle design that we have never encountered before! Cool piece! Additional information: Material: Porcelain & Pottery R...

Hi all, this lovely piece just came in. Visible is a nice deep dish from the Jiajing period, probably at the end of it, mid 16th century. It has a strong cobalt blue color with Foo ...

Large and very nice Blue and White Charger/Dish from the Jiajin/Wanli Period. Additional information: Material: Porcelain & Pottery Region of Origin: China Emperor: Wanli (1572-1620...

A fine and large Chinese brown ochre glazed stoneware storage jar, commonly known as a Martaban or Martavan jar, Ming dynasty, 15th-16th century. The elegant ovoid jar with a slen...

This is a hand painted 17th century, late Ming dynasty, porcelain Jar or small Vase which we attribute to the Hatcher shipwreck cargo, this piece being from the Wanli /transitional period, circa 1625- 1640. The Jar/ Vase is fairly thickly potted with a very white glaze to the porcelain. It is decorated with a man and a boy stood against a tree with rocks, mountains and flying bats in the background all hand painted in various shades of a clear under-glaze cobalt blue. The irregular shaped head, bald high forehead, and straight pencilled beard with moustache support this date and period. Notes: The Hatcher Cargo...

In the heart of ancient China, within the resplendent Ming dynasty, a masterpiece was cast in bronze, a testament to a culture steeped in mysticism and spirituality. This Taoist bron...

A decidingly charming Chinese polychromed and gilt cast bronze figure of Nanhai Guanyin, Guanyin of the South Sea, Ming Dynasty, 16th/17th century, China. Guanyin, the bodhisattva of compassion, is portrayed here as a beatific figure seated upon a raised lotus pedestal over waves. Guanyin is dressed in heavy robes, and wears an elaborate headdress. The small figure of Amitabha Buddha in the headdress positively identifies this figure as Guanyin. Guanyin rests one hand in his lap, holding a cup of pure water said to be able to alleviate all suffering. His other hand is raised, holding a willow branch which is used to sprinkle the healing waters. The two lotus blossoms to either side of Guanyin would originally have supported figures of the acolytes...