Large Antique 18th Century Clobbered Porcelain Charger Flowers Rock Deer Dragon

A very nicely made piece of 18th century porcelain decorated with Flowers. Underglaze blue and overglaze other enamels done in Europe. This is an example of British overdecoration. ...

A very nicely made piece of 18th century porcelain decorated with a beautiful scene. Underglaze blue and overglaze other enamels done later in Europe. We have also added a picture of how a similar original Blue and white dish would have looked like. This is an example of British overdecoration.Provenance:Provenance: Doyle Sep 27, 2024 11:00 Boston Collects, Lot 1083 Six Chinese Porcelain Table Items 18th and 19th centuries Estate / Collection: Property of a Jamestown, Rhode Island Collector Often seen as ugly and black sheep of the porcelain world. British 1810-1820 Clobbered wares deserve better as they are historically very interesting. So lets call them George the IV or Regency Taste redecorated porcelain. And leave the clobbered behind us as it does no justice to what they are at all. Its not that because we live in a time were these super funky colours are out of taste that we should hate on these pieces. A short history! During the early 19th century, the Prince Regent (later King George IV) played a key role in cultivating a taste for the exotic Orient among the British elite, influencing interior design during the Regency era. His lavish projects, such as the Royal Pavilion in Brighton, epitomized this fascination. The Pavilion, with its blend of Indian, Chinese, and Gothic elements, became a symbol of the Prince’s extravagant taste. The interiors featured Chinese wallpaper, Indian textiles, and oriental furniture, reflecting the era’s growing interest in Chinoiserie and other oriental-inspired designs. This trend extended to the decorative arts, where clobbered Chinese porcelain—originally blue-and-white pieces—was reimagined with bright reds, golds, greens, and dragons to cater to the new European tastes. These colorful repainted pieces symbolized wealth, sophistication, and an affinity for the exotic, perfectly complementing the bold and opulent interiors of the time. The dragon, a powerful symbol in Chinese culture, was a recurring motif in these porcelain pieces, further aligning with the Regency’s romanticized view of the Orient. George IV’s penchant for luxury, eccentricity, and vibrant decoration influenced the wider aristocratic society, and clobbered porcelain...

This is a beautifully hand painted Chinese Export porcelain Plate from the Qing, Kangxi period, (1662-1722), circa 1700. The plate is of large dinner plate size with a 10 inch di...

This is a beautifully hand painted Chinese Export porcelain plate or bowl from the Qing, Kangxi period, 1662-1722, fully marked to the base with the Kangxi period Artemisia Leaf mark within a double blue ring. The plate is of dinner plate size, finely potted with a carefully cut base rim and a lovely rich glassy, white glaze with a light blue tinge. The plate is carefully hand painted in a free flowing style, characteristic of the period, in varying shades of a clear cobalt blue, iron red and gold. The central well is decorated in the Imari style with flowering peonies, asters and other flowers and grasses, with a small insect flying above the flowers, all within two sets of concentric blue circles. The outer rim is richly decorated with flower sprigs and leaves, all within an outer blue circle. The base of the plate has a recognized and documented hand painted Kangxi symbol of an Artemisia Leaf, within a double blue ring. See Page 168 of "How to Identify Old Chinese Porcelain" by Willoughby Hodgson and published by Forgotten Books. A Kangxi plate...