Gold and White Paris Porcelain Urn

Pair neoclassical Paris Porcelain gilt vases. Exceptional pair of large white and gilt painted campana form urns with strigilated patterning on body dow...

Pair pink floral and gilt porcelain painted urns. Pair urns with vibrant pink, mulberry and fuschia banding alternating with rich floral sprays o...

Pair of neoclassical black and white Giustiniani urns with contrasting foliate rims and scrolled handles on low plinths. Italy, circa 1780s. Dimensions: 7.75" H x 4.5" W handle to ha...

Neoclassical green and gilt faux marble samovar coffee urn. Gilt and green faux marble painted samovar with Greco Roman mask issuing spout on pedestal abov...

Group of gilt white Paris porcelain. French Empire period large white footed serving bowl, three plates and footed cachepot/small serving bowl with gil...

White porcelain neoclassical style amphora oil lamp. Sleek white Berlin porcelain amphora with entwined serpent handle raised on four lion monop...

A museum quality early 19th century Paris porcelain urn. The twin handled vase sits on a rectangular porcelain base (modelled as part of the vase), which is decorated on all four sides with finely painted scenes titled 'Gene de Corrinte', 'Gene de Mytilene', 'Gene de Sparte', and 'Gene de Chiu' in reference to various Greek city states. The ovoid body of the vase is richly decorated with Greek key and stylized acanthus designs over and below a large gilt framed oval cameo of Athena on one side and a similar cameo on the other side bearing an undecipherable name. The overall background colour scheme of the vase is dark red/burgundy and dark emerald green, two colours which were more commonly used by the Dagoty factory in Paris than other porcelain manufacturing firms at the time. The vase is unsigned. Note: Pierre Louis Dagoty's porcelain was characterized by the use of vivid colours and the thick application of burnished gold leaf. He borrowed from the repertoire of Neoclassical ornament but his designs also included Egyptian and Chinoiseries motifs. Dagoty's elegant ceramics won him the patronage of Empress Joséphine. At the height of production, in 1807, he employed over a hundred workers, and exported his wares to Russia. After the fall of the First French Empire in 1814, manufacture continued under the Duchesse d'Angoulême, the only surviving child of Louis XVI and Marie-Antoinette. Between 1816 and 1820, Dagoty worked in partnership with François Maurice Honoré. In 1817. Dagoty and Honoré received a commission from President James Monroe...

Pair of Paris Porcelain hand painted urns with fluted bodies, putti holding ribbons and gilded details.

A fine quality pair of late 19th Century French Paris porcelain two handle urns. Each depicting classical hand painted scenes of a praying Maiden and a musician. Set between a beauti...

Pair of porcelain of Paris, urns, circa 1820.

France, circa 1860 A pair of mid ninetieth century urns decorated with maritime scenes, painted with ships and palm trees in a fantasy landscape, with stylised handles and bearded m...

Antique Chinese (Late 19th Century) white and blue porcelain urn decorated with a bird amid flowering chrysanthemums, and accented with two navy scrolled handles along the neck.