Large Pair of Neoclassical Grand Tour Breccia di Serravezza Marble Tazza.

A pair of Grand Tour bronze tazzas raised on stepped sienna marble plinths and mounted on sienna marble bases with bronze molding. Circa 1820, Italy.

Pair of 19th century Italian Grand Tour inlaid black marble Tazza, each one of typical form with a 6-Inch diameter roundel, raised on an inlaid ros...

A nice pair of mid-19th century Grand Tour tazze or marble and patinated bronze. 7½ h × 6 dia in each In very good condition and ready to display.

A pair of large antique neoclassical breccia marble finials. Dating to the early 20th century, these elegant French finials are spectacular display pieces for period and contemporar...

An extremely elegant pair of Italian 19th century Neo-Classical st. Grand Tour period Imperial Porphyry tazzas. Each tazza with wonderful proportions is...

A Fine and Decorative Pair of French Grand Tour Bronze and Siena Marble Tazzas of Large Scale French circa 1820 These fine tazzas retain an impressive patination and are of a well ...

A Grand Tour 19th century green marble tazza vase with classical carved motifs on tall pedestal. After a model of the renowned Warwick vase, this Grand Tour...

A Fine Pair of Early 19th Century French Grand Tour Bronze and Siena Marble Tazzas of Interesting Design French Circa 1830 These beautiful tazzas stand on round bronze bases, cast...

Royal House Antiques Royal House Antiques is delighted to offer for sale this absolutely exquisite pair of 1870 Grand Tour Bronze, Gilt Bronze and Marble Bacchahalia Cassolettes after Cloudio A very finely cast and finished pair of Napoleon III period vasiform urns, they are an exquisite sand-cast creation utilizing bronze and gilt bronze to create an extraordinary contrast between materials. The body of the vase is rich in a dark-brown patina that positively glows around the bas-relief Bacchanalia scene of putto playing a tug-of-war type game, carrying wine glasses and bunches of grapes and one walking with a thrysus raised over his shoulder while roaring animal heads flank either end with polished bronze garlands of water-leaves and berries draped between. The lids and necks are crafted of gilt bronze, which gives a cooler tone to the brilliant shine of the metal. The urns are raised over a shaped marble base and finished over a polished bronze rim affixed on the underside with slotted screws. After the models by Claude Michel Clodion. For those of you that are unaware the “Grand Tour” was something educated young people did in the 18th and 19th century to learn and further educate themselves on other cultures, they would pick up small medium and large trinkets as memories of the journey which would sit in pride of place in their library or study as conversation pieces when friends and relatives would visit, they basically proved you were well educated, well travelled and a person of culture. These pair are large, decorative and very important looking pieces of Italian Grand Tour art...

A pair of grand tour marble vases that could also be used as candlesticks. Italy, turn of the century.