Tribal Urns

An exquisite Japanese Meiji Period small lacquer incense box, kogo, in the form of a duck or goose, late 19th century, Japan. The delicate lacquer box, known as a kogo in Japanese, ...

A truly wonderful and whimsical work by Uruguayan-born American ceramist Lidya Buzio. This work was done when she was at her most prolific during her time in New York in the 1970s/ 1980s. Buzio is best known for her uniquely hand painted scenes of New York rooftops...

A beautiful pair of Chinese Porcelain Qianlong vases, lidded ginger jars with the Qing Pottery markings. Hand painted designs are intricate and plentiful...

Old Luba People stool hand carved from a single piece of tree wood w/ caryatid female ancestral figure as the central support. Showing good signs of genuine age and beautiful old sur...

A classical Mangbetu tribal chair, North Congo Carved from a single piece of wood, in good condition with tribal age and signs of use. Early 20th Century Tribal aged patina Height 17...

Steen Kepp - La Borne Realised circa 1975-1980 Large brown and white stoneware ceramic floor vase. Signed under the base Original perfect condition Measures: Height 38...

This is a good example of a traditional Japanese Hokai shell storage box for the Kai-awase game. This box is well-detailed in chased brass appliques and makie. The box is in overall ...

An 18th/19th Century Chinese cinnabar circular box with multiple cartouches of Families. This is a marvelous piece with very fine details on the main top panel of the box. The top pa...

A pair of small Chinese famille rose porcelain lidded jars, late 19th century. 5 ¼ inches wide by 4 ½ inches tall

For sale is this wonderful vintage African hand-carved Kifwebe association Figure (or "N'kishi"), originating from the Songye people of the Democratic Republic of Congo (formerly the...

A Japanese red & black lacquer wooden bowl from the early 20th century. It is carved from a block of what is likely to be fruit wood. The bowl has aged beautifully over the years wit...

Elegant white and blue vessel made with the Talavera technique. Artist, Cesar Torres portraits the colonial art of Mexico. The Talavera is not just a simple painted ceramic: its exquisite decoration is the product of a delicate process of alchemy that translates into fine enamels. In Puebla, Mexico few people still produce using Talavera with the ancestral techniques. One of those few is Cesar Torres, Don Cesar learned his art in the workshop of the Uriarte family, an excellent workshop where his grandfather worked. In his creations he uses the black and white mud that is obtained from the nearby hills of Loreto and Guadalupe, and colors of mineral origin that he creates in his workshop with recipes from his grandfather. All the pieces are modeled in a traditional way and go through a production process that usually takes from one to two months, between drying, burning, and painting. Being surrounded by a living tradition, Cesar Torres Jr., learned from his father since childhood. Architect by profession, Cesar Jr. has come to revolutionize and modernize with new designs and ideas of the current world, nevertheless always respecting the tradition of the processes and materials that make Talavera a Creole art...