Art Nouveau Gres Bijou Butterfly & Spiderweb Gourd-Shaped Vase by RStK Amphora

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

Model #3771 Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The Amphora pottery fa...

Model #3771 Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The Amphora pottery fa...

This striking amphora Art Nouveau vase was made in the Turn-Teplitz region of Bohemia by Riessner, Stellmacher & Kessel, established in 1892. The vase has an ovoid form with a thick molded floral and foliate band located at the neck. The body of the vase rests upon a raised pedestal foot decorated with a series of intertwined stylized roots. The neck and foot have been glazed in a matte green color with burnished gold highlights. The body of the vase is flanked by a pair of arched gilded handles made in the form of naturalistic woody branches. The body of the vase has been finished in a mottled matte glaze executed in a dull gold color enabling the cream color beneath to show through. The center of the vase transitions to a violet hue which is covered by a high glaze iridescent band having pink and purple undertones. The iridescent band features an armorial crest executed in black accented with gilded details. The crest itself consists of a checkerboard shield surmounted by a trio of stylized flowers with a spade motif, all of which are flanked by lions rampant. The design includes a series of large dots arrayed in a symmetrical manner. The opposite side of the vase echoes the motif found on the front and has a checkerboard shield, nine spade-shaped flowers and several dots. The vase is in excellent condition with no chips, cracks or repairs. As an antique item, the piece shows minor signs of age and use consisting of wear to the gilded decoration. The vase stands 11.75" tall and is 2.25" across the mouth. The foot is just over 5" in diameter and bears impressed marks including a circular ''Imperial Amphora Turn...

Art Nouveau vase in blue and green enamelled porcelain, with gold details and handles with an elephant head design, made by AMPHORA. Signed crown seal, AMPH...

Loetz For Boudon And Klur Gilt Metal Monted Glass Vase. A highly sought after vase culminating the zenith of Loetz and the Art Nouveau design. Czech Republic Circa 1900 Rubin Ruby Papillon Decor Metal mount with indistinct impressed marks for Boudon and Klur Height: 10.5 Inches x 8 Inches wide x 5 Inches deep Condition: Very good with wear commensurate of age and use with some loss to gilt, The Loetz glassworks existed in Klostermuhle, Austria, for just over a hundred years, starting from 1840. But its heyday was during the life-time of Max Ritter Von Spaun, grandson of the original Johann Loetz who had founded the company. Von Spaun took over the company in 1879 and ran it until 1908, a year before his death. He was assisted by Eduard Prochaska, his technical specialist, and together they invented, designed and produced a whole series of wonderful new types of glass, taking out several patents and winning awards at all the major world exhibitions during the 1890's and the first years of the new century. The Loetz company were amongst the leaders in Art Nouveau design and expecially in irridescent art glass. "Papillon" glass, like the vase on the left, is sometimes known today as "oil spot" glass. Another favourite Loetz colouring was irridized glass with pulled trails called "Phenomenon" glass. There were irridized vases with ribbons of metallic colours winding over the surface, and many spectacular designs with applied trails of beautiful colours, or simply pulled out of the body of the glass to form handles or decoration. About 1900 the company started collaborating with outside designers, and some great artists designed pieces for Lotz, notably Joseph Hofmann, Koloman Moser, Maria Kirchner, and Hofstatter. In 1908 Loetz was taken over by Max Von Spaun's son, also called Max, and although it struggled financially (going through bankruptcy in 1911 and again in 1931) there were several great designers whose work was produced by Loetz during those years and through the art deco period. These included Adolf Beckert...

Amphora earthenware shaped vase, Viennese, Austria, from the beginning of the 20th century, circa 1900 with four stylized handles.