Art-Nouveau Silver Overlaid Vase 1900s in Loetz Style

This is the 1920s Danish 3 vases collection by Herman Kähler. It comes with baluster shaped body’s, high to medium glossy surface and deep brown and royal blue...

This is the 1920s Danish xx cm high ceramic vase by Herman Kähler. It comes with a baluster shaped body, high glossy surface and warm, very deep brown and green color on a cream whi...

This is the 1920s Danish 46 cm tall ceramic floor vase by Herman Kähler. It comes in almost mint condition. A globular body with tall tapering...

This is the 1920s Danish 46 cm tall ceramic floor vase by Herman Kähler. It comes with a globular body with tall tapering neck, high glossy su...

This is the 1920s Danish 36 cm high ceramic vase by Herman Kähler. This vase comes with a tall, sturdy and proud shaped body, high glossy surface and brown and blue colors on a base...

The company Höganäsbolaget shut down its production of stoneware in 1926 to concentrate production on other products. Two employees, the brothers Gustaf and Oskar Nyman then left the...

Loetz Art Nouveau circa 1900 art glass vases with floral and decorative scroll Silver Overlay. (Pair) Larger: Corset form in iridescent gold glass decorated with scrolling silver overlay and a blank cartouche. Height: 5.25 X 2.75 Diameter Condition: Mint. Smaller: Bulbous smoke stack form in iridescent green-gold decorated with scrolling silver overlay flowers. Marked: Alvin pat 67 Height: 4.25 X 2,65 Diameter Condition: Mint AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. In 1836, Johann Eisner established a glassworks in the Southern Bohemian town of Klostermühle, today part of the Czech Republic and called Klášterský Mlýn. His heirs sold the glassworks to Martin Schmid in 1849, and two years later Schmid sold it to Frank Gerstner, attorney-at-law, and his wife Susanne. Susanne was the widow (‘Witwe’ in German) of Johann Loetz, a glassmaker about whom we know very little. Gerstner transferred sole ownership to Susanne shortly before his death in 1855, and she successfully led and expanded the company during the subsequent 20 years, manufacturing mainly crystal, overlay and painted glass. In 1879, Susanne transferred the company – now called ‘Johann Loetz Witwe’ – to Maximilian von Spaun, the son of her daughter Karoline. One year later, von Spaun hired Eduard Prochaska and the two of them modernized the factory and introduced new, patented techniques and processes. The first fruits of this collaboration were exciting innovations in Historicism glass, including Intarsia and Octopus glass and the very popular marbled (‘marmorisierte’) glass which imitated semi-precious stones like red chalcedony, onyx and malachite. Success at exhibitions in Brussels, Munich and Vienna were crowned by awards at the Paris World’s Exposition in 1889. In 1897, von Spaun first saw Tiffany Favrile glass exhibited in Bohemia and Vienna, and this convinced him that the art nouveau style was also the way to go for Loetz Witwe. The next eight years were to be the most artistically significant and profitable period in the entire history of the company. The Art Nouveau Period –The glassworks created large numbers of its own new designs of iridescent, trailing art nouveau glass, sometimes in collaboration with well-known artists and designers like Marie Kirschner and Franz Hofstötter (aka Franz Hofstätter). The zenith of Loetz art nouveau glass was epitomized by the so-called Phänomen series of designs, much of it designed by Hofstötter, which won a Grand Prix (alongside Tiffany, Gallé, Daum and Lobmeyr) at the Paris World’s Exposition in 1900. The company’s success during this period had two prime drivers – the technical expertise of Prochaska and the business acumen of von Spaun. Loetz Witwe created many of its own designs, and also supplied glass commissioned by major customers like E. Bakolowits (Vienna) and Max Emanuel...

Vase Loetz Widow Klostermuehle Bohemia Art Nouveau Made by Loetz, Klostermühle circa 1900 Decor: PHAENOMEN GRE & Gorgeous Silver Overlay This finest Loetz Art Nouveau ...

Turn-of-the-century Art Nouveau glass vase by historic maker Loetz with engraved silver overlay. Cylindrical with bellied top and bottom, and short inset neck. Overlay in form of ope...

Turn-of-the-century silberiris glass vase by Loetz with engraved silver overlay. Ovoid with impressed shoulder and molten-style irregular turned-down rim. Overlay in form of whiplash...

Silberiris glass vase by historic Loetz with engraved silver overlay. Globular with pinched shoulder and ruffled turned-down quatrefoil rim. On front overlay in form of loose and flu...

Turn-of-the-century Silberiris glass vase by Loetz with engraved silver overlay. Ovoid with flared rim in silver collar. Overlay in form of open and stylized leaf band and c-scroll n...