Celadon Ceramic Vases or Bookends Attributed to Serena & Lily -- A Pair

A vintage Chinese decorative tureen that's very 'of the moment' with it's animal motif in browns, blacks, creams and gold. A stunning and versatile accent piece for any room. A beaut...

One-of-a-Kind hand-crafted silver urns using the Repousse method of hammered design. Each is slightly unique from the other. Unusually large size and excellent condition. Probably mi...

This pair of vintage brass and white onyx bookends dates to the 1920s and are clearly inspired by Rodin's 'The Thinker.' From time to time, similar bookends will surface, but differi...

A one-of-a-kind hand-crafted silver urn using the Repousse method of hammered design. Unusually large size and excellent condition. Probably mid-to-late 20t...

These richly-colored cannisters evoke a warm and calming feeling similar to looking at an abstract color-block painting by Mark Rothko. The lovely domed lids call up images of the el...

The Lynn Chase Designs lovers among us lament that her collections are no longer produced. Her elegant, often whimsical and always beautifully executed design patterns touched the he...

Orchies (attributed to) pair of ceramic vases circa 1900.

Robert Lee Morris, Celadon ceramic vase, Signed.     

Robert Lee Morris, celadon ceramic vase, Signed.  

Robert Lee Morris, Celadon ceramic vase, Signed.     

Robert Lee Morris, Celadon cylindrical ceramic vase, Signed.       

Although unsigned, this magnificent Austrian expressionist art ceramic sculptural vase with three receptacles is attributed to Vally Wieselthier for Wiener Werkstatte, ca. 1920. Valerie "Vally" Wieselthier (Austrian-American, 1895 – 1945) was an outstanding ceramic artist. She was born to a Jewish family in Vienna, Austria. Her father, Wilhelm Wieselthier was a lawyer. Valluy attended theWiener Frauenacademie in Vienna from 1912 to 1914 and studied at the Vienna School of Applied Arts with Rosalinda Rothhansl, Kolo Moser, Jodef Hoffmann and Michael Powolny from 1914 to 1920. In addition, she worked as an auxiliary nurse during the First World War. From 1917 to 1922, she worked for the Wiener Werkstatte. From 1922 to 1927, she ran her own ceramic workshop in cooperation with the Augarten porcelain factory, which was newly founded in 1923, but also with other companies such as Friedrich Goldschider, Gmundner Keramik and Lobmeyr. Her expressive and humorous porcelain figures attracted attention at the Exposition Internationale des Arts Décoratifs et industriels modern in Paris in 1925 and are considered typical examples of the Art Deco style style. From 1928, the artist increasingly moved her center of life to the United States. She went to the International Exhibition of Ceramic Art in New York City in October 1928. In 1933, she moved to Chicago with Paul Lester Wiener...