Ceramic Sculptural Vase by Claude Champy

Beautiful impressive and big vase / bowl by Gerald and Gotlind Weigel. The structure of the glaze is developed by using a net. It is signed by Weigel and the impressed workshop mark ...

Beautiful impressive Bowl by Gerald and Gotlind Weigel. The structure of the glaze is developed by using a net. It is signed by Weigel and the impressed workshop mark and 1984.

Rare and sculptural vase by Guido Andlovitz for Lavenia, Italy. Vase is marked.

Hand signed Alvar Aalto vase 3030 Savoy for Iittala made in Finland. Nice vintage condition with some scratches at the base and small chips at th...

1950s small and larger light yellow Niels Thorsson Aluminia Royal Copenhagen faience Marselis vases. Measures: #2631 diameter 10cm, height 13cm #2633 diameter 13cm, height 21cm Pr...

Rare set of 6 vases of one model in different size. Coulor is "turmalin". Documented in the book "Täglich in der Hand", shows the complete work of Wilhelm Wagenfeld. In this catalog ...

Claude Champy Stoneware ceramic vase with white and grey ceramic colors. Elegant bowl form, handmade production. Signed under the base CHAMPY Measures: Height 13cm, larg...

A ceramic vase by Claude Champy. Perfect original conditions. Signed under the base "Champy". Circa 1980-1990. Unique piece.  

A ceramic bowl or cup by Claude Champy. Perfect original conditions. Signed under the base "Champy", Circa 1980-1990. Unique piece.  

Claude Champy Large abstract decorative stoneware ceramic box by the French artist. Elegant freeform, circa 1975. Signed under the base Original perfect conditions Mea...

A monumental shaped ceramic vase in various beautiful colors and patterns. Measures: Height 43 cm.

A glazed stoneware free form vase by American Ceramist Robert Chapman Turner (1913 - 2005) titled "Oshogbo Form III" circa 1970s. The piece was purchased in 1981 and held in the same collection since. The vessel is one of the classic forms with variations in Turner's repertoire since 1970s when he started to make non-functional abstract sculptural pieces. The vessel features an irregular hand-built form with surface markings and overall red glaze, inspired by his trips to Africa. Incised signature "Turner" on the base. "In 1971–72, drawn by the power of African sculpture, and wishing to imbue his work with a greater sense of universality, Robert Turner traveled to Nigeria and Ghana. The trip proved transformational. In West Africa he was deeply moved by the way in which art was ingrained in daily experience, and by the beauty of traditional forms of architecture, pottery, ceremonial objects, and decoration. After his return, Turner began to produce series of distinctive vessel types named after African kingdoms and peoples—Ashanti, Ife, Oshogbo, Akan. The first is a squat, lidded pot; the others are cone and cylinder shapes." Smithsonian American Art Museum Robert Turner's work is in numerous museum collections including the Smithsonian Museum of American Art, Los Angeles County Museum of Art and the Nelson-Atkins Museum of Art, Kansas City. For another example of the form similar to this piece, see page 40 in "Robert Turner Shaping Silence A Life in Clay" by Marsha Miro and Tony Hepburn.