Ceramic vase by Robert Chiazzo, era Jouve, Ruelland

Ceramic vase by the french artist Robert Chiazzo, midcentury modern, era Jouve Beautiful vase with a raw look. Signed under the base. -- Robert Chiazzo (1924 - 2020) was a French pa...

Robert Chiazzo, green ceramic vase, 1960, Bormes, Vallauris, Era Jouve, Picault Beautiful free-form ceramic vase by French artist Robert Chiazzo. In the last pictures, you can see ...

Robert Chiazzo, Ceramic Lamp, 1960, Bormes, Vallauris, Era Jouve, Picault Black enamelled lamp in shades of green, grooved. It is decorated with applique animal motifs. An original ...

Pair of Mid-century ceramic lamps by Robert Chiazzo, 1960s Lovely pair of ceramic lamps by Robert Chiazzo, a ceramist from Vallauris' golden age in the 50s and 60s. These two lamps ...

Ceramic wall decoration of Saint Mark by the french ceramist Robert Chiazzo Robert Chiazzo (1924 - 2020) was a French painter and ceramist. Pastry chef, farm worker, then house pa...

Brown ceramic lamp by Roland Zobel, France, 1960, era Capron, Jouve, Ruelland Lovely ceramic lamp by the french ceramist Roland Zobel. The two tones enamel is very beautiful, shiny ...

Large white glazed ceramic bowl by Jacques and Dani Ruelland, 1960s. Very good condition. LP1361

Ceramic vase / bottle by Jacques & Dani Ruelland, France, 1960s Orange/yellow enamel.

Ceramic vase / bottle by Jacques & Dani Ruelland, France, 1960s Pale pink/rose enamel.

Black ceramic vase by Georges Jouve, signed, France, 1950's

Style of Ruelland, tall bottle-shaped ceramic vase. Light gray glaze. Handmade. In excellent condition, with natural cracks. The second half of the 20t...

A white stoneware vase by American Ceramist Robert Chapman Turner (1913 - 2005). Made between 1970-80s, the group of white-colored vessels with such a funnel form were called either Beach or Shore, obviously inspired by the ocean. Hand sculptured in a simple form with a neck opens to mouth that also can serve as a handle, the surface was always marked with artistic imperfection intended by the artist, such as incision and kiln bubble and burst. On this vase, the artist made several incision lines randomly, and also sparsely applied some tiny sand-like granules, adding a very subtle texture and allude to the scheme of the ocean. Incised signature "Turner" on the base. The vessel is one of the classic forms with variations in Turner's repertoire since 1970s when he started to make non-functional abstract sculptural pieces. Incised signature "Turner" on the base. "In 1971–72, drawn by the power of African sculpture, and wishing to imbue his work with a greater sense of universality, Robert Turner traveled to Nigeria and Ghana. The trip proved transformational. In West Africa he was deeply moved by the way in which art was ingrained in daily experience, and by the beauty of traditional forms of architecture, pottery, ceremonial objects, and decoration. After his return, Turner began to produce series of distinctive vessel types named after African kingdoms and peoples—Ashanti, Ife, Oshogbo, Akan. The first is a squat, lidded pot; the others are cone and cylinder shapes." Smithsonian American Art Museum Robert Turner's work is in numerous museum collections including the Smithsonian Museum of American Art, Los Angeles County Museum of Art and the Nelson-Atkins Museum of Art, Kansas City. Several examples of this series are illustrated in the book "Robert Turner Shaping Silence A Life in Clay" by Marsha Miro and Tony Hepburn...