Chinese Blue and White Hexagonal Porcelain Vase

Chinese blue and white porcelain vase with an octagonal, faceted shape wrapped in blue bands featuring white iconography at the base and concave top, framing a center area that alter...

"Chinese white porcelain urn painted with a variety of blue, decorative patterns, including feathers and bold vertical markings, that are proportionally balanced to create a harmonio...

Antique Chinese (Late 19th Century) white, porcelain urn decorated in a blue scene of a bird perched on a flowering branch above water, and accented with two light blue scrolled hand...

Chinese white and blue porcelain octagonal pot painted with a unique figurative vignette in each panel beneath a floral design leading up to the opening. Condition: Good; Wear consi...

A large antique 19th century Chinese floor vase having a celadon ground and blue and white underglaze decoration to the body. The underglaze decoration is of foliage, stems with ber...

This is a 19th-century traditional Chinese blue and white ceramic vase, a fine example of classic Qing Dynasty-style porcelain craftsmanship.Traditional blue cobalt underglaze on a w...

A large antique 19th century Chinese floor vase having a celadon ground and blue and white underglaze decoration to the body. The underglaze decoration is of a Fenghuang (Phoenix) bi...

Dubbed as production of the "Chinese Modern Official Kiln", a small group of porcelains of the highest standard were produced in Jingdezhen from 1962-1967, The production was aimed as a revival of the Chinese porcelain after the foundation of the Republic in 1949 in order to serve the purpose of decorating the meeting halls for the newly renewed diplomatic relations around the globe. The best available materials and artists, including the painters and potters, were employed to achieve a high quality that rivaled the pieces produced during the pinnacle years in the porcelain production in the previous Qing dynasty. Due to the breakout of the Cultural Revolution, most of the pieces failed to be used as intended. Most if not all signatures, such as found on this vase, were added later as a hallmark to distinguish them. "Zhong Nai Hai Huai Ren Tang Treasures Porcelain Research Bureau year of 1962". Zhong Nai Hai is the residential and working compound for Chinese political elites in Beijing and Huai Ren Hall being an important meeting hall. The pieces from "Modern Official Kiln" ubiquitously showcase perfectly balanced forms with precision in symmetry. The use of very high quality Gaolin clay resulted in a semi translucent body, often quite thinly potted. The superbly underglaze paint were sandwiched between a pre-applied glaze and then an overglaze, and the elaborate designs were drawn by master painters. Often, there is a hidden red Chinese National Emblem on the interior wall. These features were all well reflected in this piece. The decoration of the blue paint on the vase is of a classic regal composition and the cobalt blue is of a vivid radiating color. Blooming peonies, an old laurel tree with blossom and scholar rocks provide the background and anchor for a pair of pheasants. One raises its head to crow while the other one looks down. These motifs are commonly found in classic Chinese scroll paintings, a genre called "Flower and Bird Painting". On the back of the vase, there are Chairman Mao's head portrait watermarked in the glaze as well as a cursive poem with a collection number as shown. For a pair of blue and white vase of the same production, see sale by Singapore International Auction PTE ltd on July 21st, 2019 lot 2014. For a pair of blue and white urns...