Colin Schleeh "Shimmer" Canadian Walnut Sculptural Vessel or Vase

Pair of heavy bronze urns or planters, circa early 20th Century. Beautifully detailed with swags and rosettes encircling the rim, feathers on each of the 3 tripod legs, and leaves ar...

A Mid-Century Monmouth Pottery floor vase, circa 1950. A large form monochromatic glazed pottery vase with ribbed detail in a grey/green shade. Very good condition. Dimensions: 8.5" ...

Making direct reference to the ability of bodily organs to function as vessels, while also alluding to plastic surgery and sex toys? Our soft vessels personify aided characters. Patients subdued by recomery. Impotent beings that struggle to perform the very tasks that define them as objects. Exhibited at Musée Des Arts Décoratifs Et Du Design De Bordeaux: Bordeaux (2023) PAD- BOON ROOM: Paris (2023) Healing- Club Mish Mish: Riyadh (2023) Mexican Design 1950's-now- Shak Gallery...

Born in Melrose, Ohio in 1922, Clyde Burt would go on to become a major voice in American studio ceramics. He studied at Fort Wayne Art School and later at the Cape Cod School of Art before landing at the Cranbrook Academy of Art to study under Maija Grotell. While Grotell is responsible for bringing the wheel to Cranbrook, Burt made it central to his practice and his thrown works express the same endless curiosity as his teacher. Upon returning to Ohio, Burt built a home studio on his family’s farmland near the Little Auglaize River and harvested rich clay from the surrounding area. He started every day at 5:30 in the morning and would work until he knew he “had enough”. Constantly experimenting with glazes, colors and surface decoration, Burt painstakingly recorded his successes and failures in a small notebook...