Double Faced Vase by Accolay, France, circa 1950

Very large terracotta vase, attributed to Accolay, circa 1950-1960.

Accolay Elegant freeform ceramic vase by Accolay Signed under the base Original perfect conditions Decorative blue and grey ceramic glazes colors Measures: Height 29cm...

Accolay, stoneware vase circa 1950.

Accolay Elegant midcentury ceramic vase by famous French potter. Blue and purple variations of ceramic glaze colors. Signed under the base. original perfect conditions ...

A ceramic vase with glazes and geometrical decoration by Accolay. Signed under the base "Accolay", circa 1970-1980. Perfect original condition. Unique piece.  

A Touch of French Mid-Century Modern Charm: Accolay Ceramic Pitcher Vase This beautiful mid-century modern pitcher vase, crafted by the renowned French pottery makers Accolay, embod...

Beautiful handcrafted mid-century pitcher attributed to Accolay pottery makers. This two handled vase has a very eye-catching design. The stunning colors fit perfectly with almost a...

Accolay Original 20th century ceramic pitcher by Accolay potters White and brown ceramic glazes colors Original perfect condition Signed under the base Height : 25cm L...

French midcentury vase by Accolay, France, 1950s. Turquoise blue concentric circle vase. Height 25cm (9.8"), Diameter 17cm (6.7"). Signed "Accolay" below. After the war “ceramic but...

A beautiful handcrafted mid-20th Century French Accolay ceramic vase or vessel. This stunning Accolay ceramic vase was hand-crafted with an eye catching design. The neutral colors and design fits perfectly with almost any color scheme. Designed in the manner of Alexander Kostanda pieces this Accolay ceramic vase will enhance any setting. Stamped Accolay. Very good vintage condition, no cracks or chips. Measures: 9" H x 9 3/4" W x 5 1/2" D More about Accolay pottery: Under the term Poterie d'Accolay or Accolay pottery, we group together the production of a community of potters settled in the village of Accolay, in the department of Yonne. This production center was created by four former students of Alexander Kostanda. Active from 1945-1983, their pottery is distinguished by a great technical inventiveness and an extremely abundant production. The pottery community exploited the proximity of the National 6 (can be compared to Route 66 in the USA) by investing in the service stations to make permanent exhibition places on the circuit of migration of Parisian tourists. Their exhibition buildings, inspired by the construction of the 24h circuit of Le Mans, became the obligatory stage for holiday makers in transit. The National 6 joins the 7 known as the sun route. This form of marketing continued at the entrance to Vermenton until the closure of factories in 1983. The creation of the Lyon motorway had however for several years derived the flow of tourists. The forefather Alexandre Kostanda (Dec 1921 - Nov 2007) was born in Poland of Russian parents. The family emigrated to Lorraine in France, where his mother Irene worked as a decorator in a porcelain factory. They then moved to Vallauris, where his mother worked at Louis Giraud's workshop. Alexandre joined the company as an apprentice from 1936-1938. After the war he taught pottery at the Longchamps Pottery...