Fu Sosso for Hoya Japanese Modern Crystal Vase

Japanese Mid-Century Modern art studio pottery vase with luster glaze on diminutive tripod legs.

Japanese Mid-Century Modern ribbed metal ikebana vase with green patina.

Baccarat Modernist crystal clear glass Giverny vase, etched "BACCARAT FRANCE" mark to underside and with original "Baccarat" label. 11" H x 11" W x 5.5" D. Dealer: S138XX.

Japanese porcelain vase in light celadon color with baluster form carved peony design. Signed. 3877

Lalique "Royat" crystal vase in frosted and clear glass and of flaring cylindrical form, molded with vertical lines of triangles around the body terminating in twenty-four protruding...

Japanese Postmodern art glass vase designed by Soichiro Sasakura for Sasaki in the 1990's. The piece is titled 'San Marino' and has blue encased glass and a makers mark on the bottom...

Modern Japanese ceramic vase, the title of this piece is "Kaki yu" or "Persimmon glaze". Rectangular vase, with abstract design and heavy glazin...

A very beautiful white to off-white round Japanese pottery vase, late Modern period, circa early-20th century Japan, 1921-1941. Vase has a fluted ci...

"Late Meiji era Kutani vase, circa 1903. A beautiful porcelain blue ground centered by an intricate Geisha flanked by gold figural Foo Dog handles. Features a floral and foliat motif throughout. Signed along the base. Kutani ware, Japanese porcelain made in Kaga province (now in Ishikawa prefecture). The name “Old Kutani” refers to porcelain decorated with heavily applied overglaze enamels and produced in the Kaga mountain village of Kutani. The powerful Maeda family had established a kiln there by 1656. The clay bodies used were gray and coarse-grained. On most pieces—dishes and bowls were especially common—a white or blue-white matte glaze was decorated in dark, restrained colours, initially greens, yellows, and some reds, and later purples and dark blues. Some items had cobalt blue decoration under a white glaze. The most noted Old Kutani pieces are “Green Kutani,” in which most of the surface is covered in a green or blue-green glaze to which one or two colours have been added (or the glaze is applied evenly over a design executed in black). The bold designs of Kutani ware drew freely from Chinese ceramics, paintings, and textiles. They are renowned for their rich pictorial ornament executed in lively, intense lines. Owing to local financial problems and difficulties in obtaining the necessary pigments, the Kutani kiln was abandoned some time in the Genroku period (1688–1704). Ceramics production in Kaga enjoyed a renaissance early in the 19th century, however, including the establishment of another kiln at Kutani in the 1820s. In addition to a revival of the styles of Old Kutani ware, there arose a style using gold on a coral-red ground, which was perfected during another spate of activity that began in the 1860s. Technical advances were made and Western-style pigments were adopted, and by the 1890s modern Kutani...

Modern Italian crystal vase by Gianfranco Frattini for Kristal Sonoro, circa 1980. Crystal flower vase, with a clear glass bubble on the outside and with a pink frosted glass contain...

Signed Sasaki Sengai round lead crystal flower vase, etched to-clear, made in Japan and designed by Ward Bennett. 24% Lead Crystal. Marked with Label and...

A substantial crystal ball sphere bud vase in the style of Baccara, in the modern or minimalist style. Beautiful as a standalone piece or for a sin...