Japanese Meiji Blue White Porcelain Vase by Tominaga Genroku, circa 1890

Japanese porcelain water bucket vase or teoke from early Meiji era, circa 1880, exhibiting beautiful hand-painting in underglaze cobalt blue and polychrome...

Japanese mid 20th century signed decorative porcelain vase (circa 1935,) from Showa period (1926 to 1985). It depicts an attractive safflower motif, an elegant scene hand-painted in purple and underglaze blue on a pure white background, on a beautifully shaped porcelain body. The artist's signature appears at the reverse side of the vase. This exquisite vase is in excellent condition. The late father of the collector of this exquisite pair, who operated one of the leading kilns in Imari-Arita region of Japan, travelled extensively to Europe in the early 1960s with a mission that he led, to purchase and bring back to Japan antique ceramics...

Exquisite Japanese contemporary decorative porcelain vase, hand painted in underglaze blue on a beautifully shaped body in pure white, a signed piece by widely acclaimed master porce...

Japanese Contemporary porcelain decorative vase, extremely intricately hand painted in underglaze cobalt blue on an elegant bottle shape porcelain body, a signed piece by widely accl...

Superb pair of Japanese large Meiji period Fukagawa signed porcelain vases (circa 1900). Intricately hand-painted in cobalt blue underglaze with polychrome and gold overglaze on a st...

Exceptional contemporary Japanese decorative porcelain vase, intricately hand painted in various shades of blue on an elegant ovoid body, a signed piece by master porcelain artist fr...

A finely decorated and glazed Japanese porcelain vase by Makuzu Kozan (1842-1916) circa 1900s Meiji Period. The vase is of a classic bottle form with baluster body and short neck. It was decorated with underglaze white magnolia blossom on a pleasant celadon background. The stamens of the flower were artistically rendered in a low relief, giving the design a realistic appeal with the dimension. Miyagawa Kozan...

Japanese Meiji porcelain Kutani vase hand painted with decorative and a figural panel dating between 1868 and 1912. The elegantly shaped tall ...

A Palace Size Japanese Meiji Period (1868-1912) Blue and White Vase with Phoenix Decoration. This vase is absolutely beautiful with an incredible array of hand-painted blue decoratio...

A Japanese Meiji period blue and white porcelain planter from the 19th century, with landscape scenes. Created in Japan during the Meiji period, this circular planter features a blue and white decor depicting exquisite landscape scenes with architectures surrounded...

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Of a relatively large size, this vase is decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting). As a result, the bamboos appear took on a three-dimensional quality as if appearing in a mist. Known as one of the most creative ceramists, circa 1887, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. With a relative large size, this vase is decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking dimensional misty winter landscape. The pine trees with upright trunks and down-sweeping branches appear receding into the depth of the mist, forming an visually unending forest. Known as one of the most creative ceramists, around 1880s, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama...