Japanese Satsuma Kyotoware Monkey Vase

A 19th C. Japanese Porcelain Kutani Red Ground Scroll Cartouche Vase. This stunning piece features a breathtaking pastoral scene, meticulously hand-painted on a shape reminiscent of...

An Unusual Chinese Famille Vert Porcelain Vase with Bamboo Handles The white stylized cloud-like section on the main body of the vase features a stunni...

A Very Large 19th Century Japanese Imari Porcelain Vase with Scalloped Top. The body of the vase is complete with two main cartouches and two smaller cartouches which flank the vase...

A Monumental pair of Japanese Meiji Period Imari vases with Dragon handles, Japanese Porcelain Studio Marks on Underside. Each is beautifully ...

Description Japanese Satsuma vase, Meiji period Of ovoid form with slightly domed cover, decorated with monkeys in robes frolicking in a landscape beside a river. Condition O...

Lovely detailed piece. Marked on base.. Iwa or Gan. Additional information: Material: Porcelain & Pottery Region of Origin: Japan Period: Meiji Periode (1867-1912) Age: ca 1900 Orig...

A multi colour gloss drip glazed somida vase decorated all over with monkeys climbing the vase.

the body of this small marvelous vase is painted with a scene of a puppet show vendor with his wood backpack, on top of the backpack there are toys and dolls, he is surrounded with a group of 6 children, and on the background you can see a village. on the other side of the vase there is an amazing painting of flowers and on the sides there are two amazing strong pine trees, the amorphous background is decorated in a "Tortoiseshell" color and design that gives it a real character and which is quite rare to see on satsuma pottery. all the vase is over richly overpainted over the glaze with gold, which gives it its depth and realism. signed Kyoto Kinkozan zo, and sealed Kinkozan zo Kyoto’s Satsuma: The painting technique used in Kyoto’s Satsuma-style ware is said to be the invention of the sixth generation Kinkōzan Sōbei (1824–1884). The Kinkōzan were a famous family of Kyoto Awataguchi potters who made ceramics that were used at Shōren'in, a temple closely tied to the imperial family, and by the shoguns of the Edo government. In fact the shogun is said to have granted them the name Kinkōzan. With the upheavals at the end of the Edo period, however, and the reforms of the subsequent Meiji government, the potters lost their traditional patrons and had to develop new markets. Just at that time, the visit of a certain Westerner is said to have decided them to embark on overseas trade. By 1870, they had perfected Kyō Satsuma...