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Kathleen Mulcahy Early Vase, American Studio Art Glass, 1979
$525
£405.60
€461.02
CA$746.48
A$812.51
CHF 427.99
MX$9,890.28
NOK 5,359.41
SEK 5,031.52
DKK 3,442.92
About the Item
Vintage hand-blown art glass vase features the ovoid form with an asymmetrical opening, with multi-colored composition of deep sapphire or cobalt blue, burnt orange, and black glass motifs layered in clear glass in sommerso technique. The free-formed colored glass structures appear to be floating in clear glass in three-dimensional design; the illusion of movement is further emphasizes by accents of controlled bubbles. The composition suggest Post Modern style influence on Organic Modern shaped piece.
The vase is signed and dated by the artist on the bottom; the year, 1979, dates the vase to the period when Kathleen held a position of Associate Professor of Glass Art in Carnegie Mellon University. 
Sculptural, colorful vase, a great example of early American studio glass movement work, distinguished with elegant form, high quality craftsmanship, and statement piece presence, will make a great gift to a collector or design enthusiast and a perfect addition to a wide range of interiors, from Traditional to Modernist, Transitional, Grand Millennial, Organic Modern, Collected, Post Modern, or Contemporary.
Kathleen Mulcahy is an award-winning American glass artist who lives and works in Pittsburgh, Pennsylvania. Since 1969, Kathleen has been creating works of art from glass and mixed media. Mulcahy received a Masters of Fine Arts in glass sculpture and three-dimensional design from Alfred University. Afterwards, she directed glass studio programs at Bowling Green State University in Ohio (1975-1976) and Carnegie Mellon University in Pittsburgh (1976-1989), then went on to develop the Pittsburgh Glass Center, one of the premier public access glass studios in the nation. 
Kathleen received Fellowship Awards from the Pittsburgh Cultural Trust, The Pennsylvania Council on the Arts, The Creative Glass Center of America, The Lusk Memorial Award through the Fulbright Foundation, The Mid Atlantic Arts Foundation and the National Endowment for the Arts. In 1992, she was selected as Artist of the Year by the Pittsburgh Center for the Arts. Her works are in many public and private collections including the American Craft Museum, The Corning Museum of Glass, The Carnegie Museum of Art, The Renwick Galleries of the Smithsonian Institution and The Westmoreland Museum of Art. In 1997, she was selected as Fellow of and Artist in Residence at the Cité Internationale des Arts in Paris, France.
- Dimensions:Height: 8 in (20.32 cm)Diameter: 6.5 in (16.51 cm)
- Style:Organic Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1979
- Condition:Wear consistent with age and use.
- Seller Location:Clifton Springs, NY
Roman Erlikh
Roman Erlikh is a professional woodworker with over 20 years’ experience. Roman Erlikh Studio creates bespoke and limited edition contemporary furniture and art objects. His first furniture collections were inspired by traditional Art Deco and Biedermeier styles interpreted through a modern lifestyle demands. Stepping away from merely utilitarian view of everyday objects, his recent collections are filled with meaningful textual context while incorporating traditional and modern woodworking techniques. Roman is using practical function as a common denominator to create emotionally charged art objects, blurring the boundary between art and function. While appreciating possibilities of ordinary materials, Roman is developing new mixed media multilayered composite varnishes and utilizes decorative gilding and mica veneer to actively engage ambient light, giving an additional aspect to relation of his objects to their environment. The decision to work in custom format was based on environmental concerns and opposition to culture of mass production and pure consumerism. The choice of materials was heavily influenced by sustainability and environmental concerns. All objects are made locally in the Brooklyn Navy Yard workshop. Elimination of storage and transportation needs for mass-produced furniture in lieu of creating a custom made objects on demand allows us to reduce waste of materials and energy. 
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