Large Japanese Contemporary Red and Green Porcelain Vase by Master Artist

Mesmerizing Japanese contemporary museum-quality decorative porcelain vase, extremely intricately gilded and hand painted in red and green on a stunning double gourd body, a signed m...

Elegant gilded contemporary Japanese decorative porcelain lidded jar, hand painted in green and red with generous gold details, showcasing scalopped floral panels surrounded by a flo...

Exquisite Japanese contemporary ko-Imari (old Imari) style hand-painted decorative porcelain vase in green, red and blue , a signed masterpiece by widely acclaimed master porcelain a...

Exquisite large contemporary Japanese gilded porcelain decorative three-piece raised lidded jar, hand painted in red and green with generous gold details, depicting scalopped panels ...

Mesmerizing very large contemporary Japanese decorative porcelain vase, intricately hand-painted in blue, green and red on a beautifully shaped body and gilded, featuring a stunning ...

Extraordinary contemporary Japanese decorative porcelain vase, intricately hand painted in the artist's unique miniature technique on a elegantly shaped porcelain body in green, blue...

With organic abstract design. Artist signature on the bottom and on original storage box: Hasegawa Isamu. This vase exhibited at the 2nd Nitten in 1970. Hasegawa Isamu was born in 1925 in Kyoto, son of famed porcelain artist Hasegawa Hakuho...

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. With an impressively large size, this vase was likely made and reserved as a presentation piece for one of the many expositions the studio participated in the early 20th century. It was decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking dimensional literary landscape known as "Mountain and Water". Being one of the most creative ceramists, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze around 1880s. New colors allowed him to create underglaze designs that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...

Very large rotund-shaped porcelain vase with horizontal ribs and a covering underglaze design of overlapping swirls with a canvas pattern on a white ground. Heightened by gold lustre...

Tall and exceptionally made Kyo-ware porcelain jar (tsubo) with a naturalistically relief design of a coral-coloured net stretched around the body. On the shoulder hangs a beautifully draped red...

Very large ovoid shaped porcelain vase with a beautiful blue and white mountainscape design accentuated by a low relief details. The top of the vase ends in an elegant small neck. Y...

Fine Japanese porcelain pumpkin 'Gourd' shape painted and lacquered large vase. The white porcelain vase is decorated with black lacca panels, fine...