Luigi Genazzi Ovoidal Vase in Hammered Silver by Calderoni Jewels 20th Italy

Decorative vase realized in a warm gray stoneware with band decorations, designed and manufactured by Carlo Zauli in 1960s. Signature engraved visible under the base. After winnin...

Large vase in green ceramic designed by the Italian designer Gio Ponti and manufactured by Richard Ginori between the 1930s and the 1940s. In this piece, the ceramic was modeled with an elegant and raffinate, flared shape that makes it a perfect decorative vase. The manufacturer's brand is stamped under the base. The history of the Ginori Manufactory began in Doccia, just a stone's throw away from Florence, when in 1735 Marquis Carlo Andrea Ginori started a porcelain factory which was destined to become a worldwide icon of style. The eighteenth-century is a key century for the development of porcelain in Europe, in this period the first manufactures are born, fed by new styles and international trends. In stately homes, palaces and courtyards, the precious porcelain of the Doccia Manufactory is synonymous with elegance and refinement. The passage from the nineteenth, the century of reason to that of feeling marks a new chapter in the development of artistic taste and the manufacture of porcelain. Florence becomes the scene of a controversy between the academic supporters of the Beautiful ideal and the naturalists promulgators of the beautiful natural Since 1806 the direction of the Manifattura passed to Leopoldo Carlo Ginori Lisci who initiates a process of profound renewal. In 1986 The Manifattura expanded and the Richard Ginori Ceramic Company is born. The tradition of master craftsmen meets new technologies and the creations are perfected thanks to the use of new patents From 1923 to 1933 the artistic direction of the Manifattura was entrusted to Gio Ponti. The master is responsible for introducing highly innovative elements with sensitivity and respect for the taste for the ancient, and for the oriental culture. In 1925 at the Universal Exposition in Paris, the Manifattura and its artistic director were awarded the assignment to both of a Grand Prix. The Manufactory was renewed by relying on the experience of the greatest Italian designers of the time: Franco Albini, Franca Helg, Antonio Piva, Sergio Asti, Achille Castiglioni, Gabriele Devecchi, Candido Fior...

Decorative vase in blue ceramic with marine-theme decorations on the surface like fish, octopus and starfish. It was realized by Angelo Ungania during the 1940s, the author's mark is...

A vase from the stepped series in hand-turned in white clay enameled with two-tone matt gray and light green glaze, manufactured in the 1990s by Bitossi and designed by Ettore Sottsa...

A lovely vanity or table mirror of the early 20th century, designed and produced by the glassmaking company fonuded in 1881 in Milan by Carlo Tenca. The mirror present the manufactu...

Large sideboard is entirely realized in oak wood, with four drawers on each side (for a total of eight drawers) and a central storage unit. Designed by Pier Luigi Colli Italian Manufacture from 1938 ca. To reconstruct the story of Pier Luigi Colli, we must take a leap back to the 19th century in Turin, a multifaceted city, in some ways controversial due to its austere and sometimes introverted character, but at the core of a creative drive: and if it is primarily known for its automobile industry, there was a time when Turin was at the height of fame also in the field of furniture and embroidery, thanks to the presence of two entrepreneurial realities. On the one hand there was the MIRAM (Italian Hand-Made Embroidery Manufacture) founded by Pietro Colli in 1850, specializing in gobelin fabrics and bandera embroideries. His daughter Teresa traveled between Italy and Paris to discover the latest trends in fabrics and embroidery, while her younger brother, Pier Luigi Colli (1895-1968), the star of this story, joined the company in 1921. Distinguishing himself for his enterprising personality and willing to continue his father's profession, Pier Luigi was known to his contemporaries as "the artist interior designer", and had no doubts about his future: he moved temporarily to Paris, where he attended L'Ecole des Beaux Arts Décoratives. The other great Turin manufacturer to be mentioned is Martinotti, founded in 1931 by Giuseppe Martinotti and supplier of fine furnishings for the Savoy court, pieces which were characterized by a typically 19th century eclectic style, generally made of exotic woods featuring ivory and tortoiseshell inlays: at that time, Martinotti represented the top of internationality, having even participated in the 1875 Philadelphia exhibition! The two brands' fate merged in 1902, a decisive year for Turin which, hosting the International Exhibition of Modern Decorative Art, became the cradle of the spread of the Liberty style in Italy. In the exhibition, Martinotti exhibited an elegant interior, in which all the textile parts, from the curtains to the seat upholstery, was made by Colli. It was in 1926 that Colli (MIRAM) finally acquired Martinotti, founding a laboratory where, from the savoir faire of the two companies, complete pieces of furniture were created and tailor-made for the customer, from the structure to its upholstery. Meanwhile, Pier Luigi Colli was living in Paris, the ideal place to be in 1925, when the International Exhibition of Modern Decorative and Industrial Arts brought him closer to the work of one of his putative fathers, the great French cabinet maker Jacques-Émile Ruhlmann (Paris, 1879 - 1933). Thanks to Paris, Pier Luigi intertwined contacts with the international beau monde, he started to import Lalique glass from France, while the Colli's clientele expanded and special commissions arrived, such as the creation of the Royal Train of the Savoy family made with Fiat, or the lecture hall in the University of Turin. The success of a brand is also measured by its openness to establishing collaborations with the great designers of its time, in the case of Colli resulting in important creative partnerships: from Gio Ponti, who relied on the brand for his Richard Ginori project in Rome, up to Carlo Mollino, who created with Colli the handrails of the RAI (national TV) auditorium and the windows of the Teatro Regio in Turin; also in Turin, the Morbelli architects collaborated with Colli for the furnishings of the RAI skyscraper, and the architects Gabetti Isola for the interiors of the Stock Exchange in Turin. In the 40s and 50s, having opened a branch in Rome, Colli was at the peak of productivity. The embroidery and textile section continued to be one of its strengths, keeping alive the relations with France and its great masters: among the inspirations were the geometric shapes of the fabrics of Ruhlmann's interiors, or the tactile carpets made by designer Mariod Dorn. And so, another Colli trademark become the "textured carpet...

Elegant and refined sterling silver vase. Entirely handcrafted and embossed with a torchon motif, the vase has been finely hammered all over the body. The mouth of the vase is shap...

Solid silver cooler placed on a wavy pedestal, the body is swollen and flanked at the neck by adjoining ear handles. Granite appearance, hammer mounted, vermilion interior. Dimensio...

Fully handmade sterling silver vase. The structure of the body is cylindrical and widens slightly in the upper part, called the mouth of the vase. The vase is smooth and shiny and ...

925 Sterling silver vase. The round pot-bellied vase was made entirely by hand and subsequently embossed with a torchon motif. The concave grooves have be...

800 solid silver vase completely handmade. The body is cylindrical in the upper part while towards the base it widens due to the overhang and chisel....

800 silver vase with plate. Made, embossed and chiseled completely by hand. The pot-bellied part of the vase is embossed and chiseled with olive and le...