Massive French Apt Vase with Brown Mixed Earths

Pair of vases with hand-painted flowers on opaline glass. We see pink, purple, orange, lilac, and white flowers, all naturalistically rendered. The roses, daisies, and morning glory...

This lovely pair of handpainted 19th-century opaline vases feature gorgeous flowers, each with a bouquet of peonies, tulips, and other flowers on a light blue ground. The glass is s...

We are pleased to offer this elegant three-part group of Paris Porcelain in the Empire style crafted circa 1840. Dimensions of the basket: 13.75" long x 7.5" wide x 10.75" tall. The basket is 4.75" deep. Dimensions of the vases: 12.5" tall x 6" across the handles x 4" deep Condition: Very Good, to Excellent with some touches of gilt invisibly restored on the basket. Price for the set of three Paris Porcelain pieces: $2,300 The centerpiece is an oval-shaped pierced basket, lavishly gilded with delicate latticework. The golden Empire style lends an air of grandeur to the design, while the intricate latticework adds a sense of delicacy and allows light to play through. The white line across the top of the base further enhances the richness of the gold, creating a touch of intensity. The long rectangular base harmonizes beautifully with the oval shape, creating a visually balanced composition. With dimensions of 13.75" long x 7.5" wide x 10.75" tall and a depth of 4.75", this basket is perfect as a centerpiece for a formal dining room table...

We are pleased to offer this pair of golden Paris Porcelain mantle vases made in the Empire style, circa 1840. The gilding on these vases is dazzling. The delicate band of flowers an...

This stunning ceramic or mixed earths piece was made by combining clay slips of light and dark brown, gray-blue, and cream colors. The tight multicolored p...

Alvino Bagni Raymor vase, Spherical, White, Brown, Earth Tones, Signed. Chunky round ball vase with light and dark brown glaze over a speckled off-white glaze. Signed on the undersid...

Marcello Fantoni Massive Ceramic Vase. Might be the largest piece I have ever seen! Just bought and shipped back from Italy. In very nice shape, signed to bottom inside lip.

Alvino Bagni for Raymor vase, ceramic, brown, beige, earth tones, signed. Chunky medium scale organic gourd form vase with a pinched neck, sloped shoulders, and footed base. Signed on the underside with a Raymor label which reads: 4437 BAG. Alvino Bagni was born in Lastra a Signa, Italy, in 1919, and from a young age he began to take an interest in ceramics, which was an important industry at the time in the area around Signa, Lastra a Signa and Montelupo (Florence). Thanks to the teachings of an elderly artist, Torello Santini, he got a job in the workshop of Arnaldo Pugi’s ceramics factory in Ponte a Signa. After the Second World War, Pugi gave Bagni the financial support to help him open his own workshop. And with 3,500 plates bearing the slogan “I like Ike” (produced for the electoral campaign of Dwight D. Eisenhower, who became 34th US president in 1953) the story of Ceramiche Bagni began. Alvino took several family members with him, first and foremost his wife Gina, who accompanied him throughout his career. The fifties and sixties were fundamentally important for the Bagni company, which succeeded in establishing privileged relations with a number of important names in American design and business, including Raymor (N.Y.) and Rosenthal, for whom he created extremely modern items for that time. In 1970 the company moved to a larger, more modern factory, where it was able to take business up a gear. Here Alvino surrounded himself with highly-skilled collaborators and artists, such as E. Borgini, M. Mannori, R. Buti, M. Santonocito, and many others, with whom he achieved a perfect balance between material, technique and aesthetics. By 1980 the factory had as many as 100 employees, and was renowned for its high-quality artistic production, elegant objects and its use of new and experimental techniques. As the working world changed, becoming increasingly globalized and open to new competition, the company found itself in difficulty. Tied as it was to its “artisanal” approach, it struggled to withstand the excessive drop in prices… despite all his efforts to save his employees and his factory, in 1990 it closed for good. However, in ’93 he was back in the game with the new venture Nuove Forme...