European Vases

5237 Wedgwood Fairyland Lustre Lilly Tray in the “Jumping Faun” design designed by Daisy Makeig Jones. Circa 1920 Measures: 27cm wide.

A tall large sized Art Deco silver trumpet shaped vase with a pinched top by Walker & Hall, Sheffield and with date marks for 1918. This elegantly shaped vase stands on a rounded foo...

Antique pottery table lamp made by Michael Andersen & Son of Bornholm with penguins. 5 Standing penguins around the core of the lamp. A very recognizable Michael Andersen glaze t...

Hand painted ceramic vase, made by Gualdo Tadino in the early 1900s Ø 32 cm Ø 26 cm h 50 cm

Loetz Candia Papillos three handled vase. Austria Circa 1910 Measures: Height: 5.75 inches Diameter: 5.5 inches Condition Excellent with no issues. AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items...

A stylish Art Deco orange lustre glazed art pottery pot-pourri lidded vase with pierced designs by Ruskin and dated 1915. The finely made vase is of round bulbous form standing on a narrow round foot with a recessed base and with a small round raised top...

Original intricately hand-painted vase by Moser Glassworks from ca. 1910-1920. Designed by renowned Karlovy Vary based designer Ludwig Moser it features a...

A stunning Belgian hand painted art pottery vase decorated with Islamic style floral designs attributed to Charles Catteau and dating from around 1920. The vase of rounded bulbous shape stands on a narrow round foot with a narrow funnel shaped top and is hand painted with Islamic inspired floral designs repeated to both sides of the body with painted patterning around the top and lower rims. The vase is painted in tones of blue, red and green on a white ground with black printed makers...

5146 Wedgwood Fairyland Lustre Vase decorated in the scarce Bifrost design by Daisy Makeig Jones 21.5cm high Circa 1920

The faiencerie of Nevers is a ceramic production company from Nevers in France, which developed strongly at the end of the 16th century. In the 17th and 18th centuries, the faience...

Remarkable Loetz iridescent sterling silver overlay art glass basket vase. The fan shaped basket with pure sterling silver fused to the glass in an Art Nouveau pattern. Excellent con...

WMF Art Nouveau inkwell and pen tray desk stand Art Nouveau Pattern Retains original glass Inkwell and Patina The piece is in excellent condition and a real beauty! Photography...

A rare and beautiful Lavanite vase decorated with Elephants. Art Nouveau circa 1910. Probably made by W. Henker & Co in Berlin during the 1910s. Marked Lavanit Patent under the vase....

Large baluster vase on a separate foot, colorless glass with flaky white, yellow-green and brown colored powder inclusions, overlay in yellow, orange-red, green and brown, rosehip decoration etched in several stages, satin-finished surface in the background and on the inside, large cameo signature 'Daum Nancy' with Cross of Lorraine midway between the plants. Technique: Handmade cameo glass Glass overlaid with several layers, with high-cut worked out motifs. Since the middle of the 19th century, the design has also been done by etching. Cameo glass vessels...

A very stylish early Art Deco art pottery vase decorated with stylized patterning by James Plant of Hanley and dating from around 1915. The pottery produce...

Émile Gallé (1846-1904), France. Large art glass vase with purple flower decoration. Approx. 1910s. In perfect condition. Signed. Dimensions: H 36.5 x D 8.3 cm.

5158 Wedgwood Fairyland Lustre Vase by Daisy Makeig Jones decorated with “Imps on a Bridge” design in the Flame colourway Circa 1920 Measures: 26.5cm high.

Blue vase on red marble column in Napoleon III style, early 20th century. Splendid cobalt blue vase with gilt bronze details housed interlockingly on French red marble and gilt bron...

René Lalique vase "Sauterelles". Design of grasshoppers on stems highlighted by blue and green patina. France, CIRCA 1912. Felix Marcilhac, "Catalogue raisonne´", ref. N'888. P - 414.

This Royal Doulton ewer was decorated by Bessie Newbery, who started at Doulton Lambeth in 1882 and retired in 1924. During her 42 years at Doulton she was an assistant to many of the great Doulton artists such as George Tinworth, Eliza Simmance...

Vase "Tragi-Comique" in white, purple, black and red pate de verre glass created by Gabriel Argy-Rousseau in 1922. Molded signature. Perfect condition. Extremely rare model and e...

Early Danish Pottery vase with subtle Art Nouveau/Jugend styling and shape. Unusual plum and bone-toned glazes fading from the top down its sides....

WMF Art Nouveau Sollifleur whit Detailt Claire engraved glass. The piece is in excellent condition and a real beauty! Photography fails to capture the beauty of the piece. ?In...

Slender baluster vase, colorless glass with white and yellow, in the lower area with meadow green powder inclusions, arched, flush base with green-turquoise color inclusions, as well...

Greek Volute Krater in patinated bronze with cartouches depicting armed soldiers with handles depicting masks.

Unique pottery/terracotta vase in a gourd shape. Decorated in relief with squid tentacles and hand-painted. Distinct art nouveau - jugend styling. It wa...

Large round bowl with a quatrefoil-shaped indented mouth rim, colorless glass with yellow and brown powder inclusions, etched and painted with colored enamel columbine decor, satin-f...

Pallme-König Art Nouveau vase in green art glass. Approx. 1900 Measures: 18 x 12 cm. In excellent condition.

Alfonso Canciani (Italian-Austrian, 1863-1955) was a famous Italian-Austrian sculptor of the period of accession to the Viennese Secession. Son of a stonemason, after a realist period he managed to establish himself as a leading sculptor of the Viennese Secession. In fact, he worked in Vienna, where he had enrolled in 1886 at the Academy of Fine Arts, then at the Higher School of Sculpture and finally at the Special School, where he obtained the Rome prize for the sketch for Dante's Monument. He developed a notable business obtaining important prizes and numerous commissions. First among the sculptors of the Viennese capital, he was invited to join the Association of the Viennese Secession, of which Klimt was magna pars, after the exhibition of Dante's group in 1900 at the Secession exhibition, and obtained the most important Austrian artistic prize, the Kunstlerlpreis. This same work, presented in 1910 in Berlin, at the Great Art Exhibition, also received an important recognition here. He obtained the Rome prize in 1896, exhibited successfully in Munich and in 1899 at the III International Art Exhibition in Venice. In that period he made some statues of saints for the cathedral of Santo Stefano in Vienna, the monument to Wagner, the bust of Nietzsche for the University, the scepter and the gold chain of the University Rector, figures of Italian poets ( Petrarch, Boccaccio, Tasso, Ariosto). He submitted a sketch for the official monument to Empress Elizabeth, which was then built in Austrisn Gföhl and Pula. At the time of his accession to the Secession, he dedicated himself to decorating the facade of the Artaria house in Vienna in collaboration with the architect Max Fabiani. He later abandoned the symbolist decorativism of the Jugendstil for a more concentrated and vigorous style, approaching the Belgian sculptor Constantin Meunier for the theme of work, and preferring to exhibit at the Künstlerhaus. In Vienna, he was generous with advice and help with the Italians and in particular with his fellow citizens (such as the Brazzanese Luigi Visintin, then a university student). After the First World War, he returned to Italy and lived in Friuli, penalized by the fact that the Habsburg Empire had by now disappeared. Instead of large-scale public monuments, he then devoted himself to engraving medals (e.g. for Benedict XV and for the Italian mission in Vienna in 1919) and to designing funeral monuments (examples in Mali Lošinj and Trieste) and portrait busts (of Generals Carlo Caneva and Antonio Baldissera in Udine, sculptures of the War Memorial of Corno di Rosazzo). After all, he had already executed the Bab grave monument in the Döblinger cemetery in Vienna in 1909. He taught in Trieste from 1920 until 1935, at the local school of industrial art, where he had Marcello Mascherini...

This elegant object of the Loetz glassworks was produced immediately after the First World War, in the years 1918- 1919. Although stylistic as well as technical recourse to past tech...

This tall Royal Worcester porcelain vase features an unusual printed and hand enamelled Chinoiserie pattern. Although this piece isn't marked with the pattern number, the pattern is ...

George V sterling silver vase. Made by Goldsmiths & Silversmiths Co. Ltd in London in 1911. Tapering and girdled tube on stepped foot. Flared and castellated rim with applied molding...

Jugendstil glass vase with holder by Argentor vienna around 1910 Polished and stove enameled Original cut glass.

Blown, flat, bulbous body on a large, round, flush stand, contracting to a short, wide neck, slightly widened, 6-fold wavy indented mouth rim. Cobalt blue underlay with silver-yellow...

Fabulous and rare WW1 heavy duty French Trench art vases not simply hand carved but made with particular attention to detain depicting lion heads, lace...

Glass vase with enameled decor small bells blue and green. 1910 Wiener Werkstätte Austrian vase with polychrome Enameled decoration. Probably a creatio...

A stunning French Art Nouveau pair of large vases with female figures of the era, circa 1910.

Large baluster vase on a separate stand, bulbous walls widening at the top towards the opening, colorless glass with flaky white and yellowish, yellow-orange, in the stand area with dark brown-violet powder inclusions, with etched and painted in colored enamel Bittersweet nightshade (Solanum dulcamara) decor, satin surface in the background, base and bottom smoothly polished and covered with green enamel, relief signature 'DAUM NANCY' with a Cross of Lorraine on the wall between the plants. Technique: Handmade cameo glass Glass overlaid with several layers, with high-cut worked out motifs. Since the middle of the 19th century, the design has also been done by etching. Cameo glass vessels...

George V sterling silver vase. Made by Goldsmiths & Silversmiths Co. Ltd in Sheffield in 1912. Tapering and girdled tube on stepped foot. Flared and castellated rim with applied mold...

Aluminia faience vase with hand-painted flowers. Approx. 1910. Measures: 14 x 10 cm. In excellent condition. Stamped.

A beautiful Moser amethyst centerpiece set. Two vases and two bowls. Hand blown purple crystal with a wide band around the body, decorated with a cameo ...

Of ovoid form, each molded with flaring everted rim flaring above embossed and palmette and fan-moulded body in shades of pale green, blue, and amber. Impressed mark.

Delicate baluster vase with a bulbous body on a round base ring with a slender, long, curved and slightly widening neck, colorless glass with flaky white and grayish powder inclusions, in the base area with yellow-orange-brownish color powder inclusions, with etched and colored enamel painted sweet pea decoration, satin surface in the background, base and bottom polished smooth, relief signature 'DAUM NANCY' with Cross of Lorraine on the neck between the plants. Technique: Handmade cameo glass Glass overlaid with several layers, with high-cut worked out motifs. Since the middle of the 19th century, the design has also been done by etching. Cameo glass vessels...

Italian Renaissance Revival large majolica centerpiece vase with painted sgrafitto of floral theme with birds of paradise. Made in Italy during the 1910's, the piece is marked on the...

Daum Nancy Art Nouveay with poppies technique: enamel and acid golden details on base and top natural wear miniature red yellow colors and gold details Perfect condition Circa 1915 A...

Very rare glass vase designed by Simon Gate. Produced by Orrefors in Sweden.

George V sterling silver vase. Made by Goldsmiths & Silversmiths Co. Ltd in Sheffield in 1913. Tapering and girdled tube on stepped foot. Flared and castellated rim with applied mold...

Impressed and incised marks.

Very beautiful handmade glazed clay vase in green-brown and with red roses. Under the vase there is the name "Rosie Fridrin Rieger" and June 1918. Made in Austria. Beautiful unique...

Italian artists Pietro Melandri and Paolo Zoli glazed majolica round shaped vase for ’La Faiance’. Faenza Italy 1915 ca. This wonderful little masterpiece, depicting floral in shade...

Vittorio Zecchin, Cappellin, Umberto Bellotto. Venice, early 1900 Light Blue blown glass and wrought iron Glass in perfect condition.

This stunning and graphic Art Nouveau vase was realized in Austria circa 1910. It features a circular base with a gourd form body that ascends into a slender undulating neck and a sc...

Ernest baptiste leveille, vase art nouveau, France, 1910s. Dimensions: H= 21 cm; D= 21 cm.

Large porcelain/creamware vase / urn made by Swedish porcelain gigant Rörstrand circa 1910. It has a grey/petrol blue glaze that fades from dark to light. The inside has a turquoise ...

Regina, Holland. Antique art nouveau vase in glazed ceramics with hand-painted flowers and foliage. Approx. 1910. Measures: 22.5 x 13.5 cm. In excellent condition. Stamped. The Regina pottery factory, Kunstaardewerkfabriek Regina, existed from 1898 to 1979. Located in Gouda, Holland, the factory was established in Queen...

Austrian Jugendstil Patinated Bronze Vase designed by Gustav Gurschner manufactured by K.K. Kunst-Erzgiesserei circa 1912 Signed Gustav Gurschner is among the most famous Austrian ...

- Large porcelain vase with hand painted flowers - Top is in blue cobalt - The vase was made in manufactory by Royal Bonn.

Beaker-shaped vase on a stepped, conical base, widening upwards to a square mouth rim, colorless glass with flaky white, yellow and blue, in the base area with green colored powder inclusions, with etched and painted in colored enamel Daphne decor, satin surface in the background, floor smooth polished, relief signature 'DAUM NANCY' with cross of Lorraine on the wall between the plants. Technique: Handmade cameo glass Glass overlaid with several layers, with high-cut worked out motifs. Since the middle of the 19th century, the design has also been done by etching. Cameo glass vessels...