Pair 19th Century Greco-Roman Neoclassical Bronze and Rouge Marble Ewers

Pair of antique (19th century) neoclassical bronze and black marble pitchers (ewers) in the Renaissance style, with brass fittings installed to enable use as table lamps. Stock Numbe...

Pair of antique French Empire period gilt bronze campana form vases, each 13 3/4 by 6 7/8 inches, circa 1810, with flared neck with gadrooned bronze rim, decorated with Bacchic putti...

A high quality pair of French 19th century Renaissance st. patinated Bronze, Ormolu, black Belgium and Rosso Antico marble ewers. The pair of urns are raised by square Belgium marble...

A Pair of late 19th century French bronze and Griotte Uni marble ewers After Claude-Michel Clodion Each with fluted spreading neck fronted with a grotesque mask and a pair of entwined serpent handles, above the tapering body cast in high relief with satyrs, bacchante and putti with acanthus-cast lower section , on a square base. Claude Michael Clodion, [1738-1814], was the son-in-law of sculptor Augustin Pajou; he trained in Paris in the workshops of Lambert Sigisbert Adam, his maternal uncle and Jean-Baptiste Pigalle, the most successful sculptor of the time. After winning the Prix de Rome, he moved to Italy, sharing a studio with Jean-Antoine Houdon and studying antique, Renaissance, and Baroque sculpture. In 1771 Clodion returned to Paris, where he continued to produce mostly in terracotta. He also worked with his brothers in other media, decorating objects...