Pair of Brutalist vases Francois Bernard Paris designer France turquoise

Fantastic Art Deco vase in gilt decor over rich turquoise ground. Form designed by Emile Decoeur (1876-1953) Decoration possibly designed by Suzanne Lalique-Haviland or Emile-Jacques...

Set of three Murano glass vases by Flavio Poli fro Seguso. Mid century sommerso technique - multi color as photographed. Faceted sides. Tallest 4.25 inches diameter x 5 inches tall

Set of three iittala glass vases by Tapio Wirkkala. each with etched signature Approx dimensions.. Smallest: 5 inches diameter x 4-1/4 inches high engraved on bottom "287/1982 TW 1...

Rare Parzinger centerpiece floral vase - lidded frog. Designed for Dorlyn Silversmith.

Free form textured glass vase designed from 1940s and in production since. Fontana Arte iconic form for easy floral arrangement. approx 13 x 13 x 9 inches high

Brutalist sculpture of Hercules by Liza Monk - Los Angeles based WPA artist. Heavy and welded pieces of metal/ nails.

1 pair of vases from Vallauris France, color turquoise, VF is on the bottom and a stamp FRANCE in the bottom, size: 30cm height x 20cm diameter, The glaze is uneven at the bottom - ...

Pair of French porcelain vases, Paris Second half 19th century. Incised C type mark. Each painted with floral sprays on white ground. ...

Bernard Rooke Studio Pottery Chalice is a rare vintage example from the 1960s. Made by the renowned British artist and potter, Bernard Rooke, this piece is a true testament to his ar...

A very nice Brutalist earthenware pottery vase by Bernard Rooke, circa 1970s. The piece is in very good vintage condition with no chips, cracks or crazing and measures 5.5" W x 4" D ...

Brutalist ceramic vase by Bernard Rooke, England, 1970s. In 1960 he set up his own workshop in Forest Hill, London. Progressive designs were rea...

An organic and Brutalist style vase with Medallion motif on front and verso. Bernard Rooke (born 1938) is a British artist and studio potter. Rooke has exhibited his "Brutalist" ceramics and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Röhsska Museum in Sweden and the Trondheim Kunstmuseum in Norway. Bernard Rooke attended Ipswich School of Art studying painting and lithography before going on to study at Goldsmiths College of Art. It was while studying here that he decided to take up pottery. Although unfamiliar with this craft and tradition, he found that working with clay provided new opportunities for freedom of interpretation and creativity. In 1960 Rooke set up his first pottery in Forest Hill in South London along with Alan Wallwork. It was a very small room with enough space for a small electric kiln. He was initially using mainly hand building, coiling, blocking and slabbing techniques. While researching ideas, he was supporting himself by part-time lecturing at London University, Goldsmiths College and St Mary's College. In addition, Rooke's membership of 'The Craftsman Potters' Association' enabled him to show his work in a shop in Carnaby Street in London. In 1967, both the need for a larger working space and becoming disillusioned with living in London spurred Rooke into moving out of the city and to an old mill building in Swilland in Suffolk. Rooke wanted to widen the range of work so as to become more commercial. With the birth of his son, Aaron, and much needed work to be done on the mill, it was important to be able to make a living. In 1968, the Grand Metropolitan Hotel commissioned Rooke to make 120 standard lamps, 120 table lamps as well as a 24 foot long ceramic mural and another 9 foot high, which incorporated interior lighting. The money from the commission helped to pay for much needed restoration work on the mill. By the 1970s, a gallery space was opened in the windmill and run by Susan Rooke, Bernard's wife, selling work to locals and tourists as well as to American airmen based nearby. The vision for Mill Gallery was beginning to develop and alongside this a reputation was building bringing in a good source of income. Sons Aaron and Felix were becoming more involved with the running of the pottery, giving Bernard more time to develop new ideas and designs and more time to continue with his painting. In 2004, the Rooke family decided not to sell to the public through the gallery anymore and close the pottery to concentrate more on painting and printmaking. In 2017 Bernard's lighting was featured in the Exhibition: “Glass, Light, Paint & Clay” at the Peterborough Museum and Art Gallery. The exhibition featured four artists: Bernard Rooke, John Maltby...