Pale Turquoise Funnel Neck Vase, China, Contemporary

Contemporary Chinese pale turquoise vase. Funnel neck design. Large collection available with varying sizes and shapes. ARRIVING APRIL

Contemporary Chinese pale turquoise vase. Octagonal shape with ribbed details on elongated neck. Large collection available with varying sizes and shapes. ARRIVING MARCH

Contemporary Chinese collection of pale turquoise vases. Large collection available with varying sizes and shapes. Each vase is part of the collection and sold individually. Diameter...

Contemporary Chinese mottled turquoise coloring with crackle glaze vase. Funnel neck design. From a large collection of different sizes and shapes. ARRIVING MARCH

Contemporary Chinese pale turquoise vase. Elongated neck with ribbed detail at opening. Large collection available with varying sizes and shapes. Sold individually. ARRIVING APRIL

Contemporary Chinese pale turquoise vase. Tall neck with horizontal rib details. Large collection available with varying sizes and shapes. ARRIVING APRIL

A vintage Chinese turquoise color vase from the mid-20th century, with spotted design and tiny handles. Born in China during the mid-20th cen...

Pair of similar Chinese porcelain vases with globular forms in pale gray hues with glazed finishes (vases vary slightly in shape) (PRICED AS PAIR).  

Lovely, enamel over copper, turquoise blue vase depicting cascading birds has originated most likely from China, circa 1930s.

A white stoneware vase by American Ceramist Robert Chapman Turner (1913 - 2005). Made between 1970-80s, the group of white-colored vessels with such a funnel form were called either Beach or Shore, obviously inspired by the ocean. Hand sculptured in a simple form with a neck opens to mouth that also can serve as a handle, the surface was always marked with artistic imperfection intended by the artist, such as incision and kiln bubble and burst. On this vase, the artist made several incision lines randomly, and also sparsely applied some tiny sand-like granules, adding a very subtle texture and allude to the scheme of the ocean. Incised signature "Turner" on the base. The vessel is one of the classic forms with variations in Turner's repertoire since 1970s when he started to make non-functional abstract sculptural pieces. Incised signature "Turner" on the base. "In 1971–72, drawn by the power of African sculpture, and wishing to imbue his work with a greater sense of universality, Robert Turner traveled to Nigeria and Ghana. The trip proved transformational. In West Africa he was deeply moved by the way in which art was ingrained in daily experience, and by the beauty of traditional forms of architecture, pottery, ceremonial objects, and decoration. After his return, Turner began to produce series of distinctive vessel types named after African kingdoms and peoples—Ashanti, Ife, Oshogbo, Akan. The first is a squat, lidded pot; the others are cone and cylinder shapes." Smithsonian American Art Museum Robert Turner's work is in numerous museum collections including the Smithsonian Museum of American Art, Los Angeles County Museum of Art and the Nelson-Atkins Museum of Art, Kansas City. Several examples of this series are illustrated in the book "Robert Turner Shaping Silence A Life in Clay" by Marsha Miro and Tony Hepburn...

Contemporary bronze duck neck by Rick Owens 2007 Dimensions: L 20 x W 20 x H 23 cm Materials: bronze Weight: 3 kg Available in Black finish or Nitrate (Dark Brown) finish R...

Contemporary bronze swan neck vase by Rick Owens. 2007. Dimensions: L 20 x W 20 x H 71 cm. Materials: bronze. Weight: 4.5 kg. Available in black ...