Pâte-De-Cristal Vase By François-Emile Décorchement

This highly rare and whimsical vase comes from the creative mind of Gabriel Argy-Rousseau, a celebrated Art Nouveau glassware designer and pioneer of th...

Exceptional in both size and artistry, this cameo art glass vase is the work of the famed Art Nouveau master Émile Gallé, one of the most highly regarded names in French glassmaking....

Exceptional in both size and artistry, this sand-polished cameo art glass vase is the work of the famed Art Nouveau master Émile Gallé, one of the most highly regarded names in Frenc...

Exceptional in both size and artistry, this sand-polished cameo art glass vase from the famed Art Nouveau master Émile Gallé features an exceedingly rare alpine scene. The artist's l...

Decorated in bold lines and sunburst patterns, this Art Deco vase by Camille Fauré is crafted in the firm's signature style using colored enamel over a c...

This geometric vase by French decorative artist Camille Fauré is given its striking luminous quality by the firm's signature enameling technique. Richly colored enamels were applied to a copper form covered with silver leaf in layers of varying thickness. These layers range from almost translucent to opaque, letting the silver and copper shine through across the vase's surface to dramatic effect. A Fauré hallmark, this process sets these imaginative vases apart and heralded a revolution in the decorative arts. One of the most celebrated enamellers of the Art Deco era, the workshop of Camille Fauré shifted not only the Popular style of enamels in the traditional city of Limoges, but also the methods of creating these pieces. After apprenticing for several years, Fauré established his own workshop in Limoges at the turn of the century, where he helped to usher in a New Era of decorative enamels. He exhibited at the 1925 International Exhibition in Paris that famously gave name to the emerging Art...

A rare and large pate de verre molded sculpture of the mythological God Pan. Very thick and heavy; this glass piece is primarily bluish green with yellow, reds and orange. The likeness is uncanny with perfectly modeled facial features and traces of his goat horns. This piece was said to exhibit at the Brooklyn Museum in 1971 but there is no documentation. The mask is stamped Decorchemont on his right cheek. For serious collectors of Art Deco - Art Nouveau rare and beautiful glass, circa 1915. Measures: Height: 7.75 inches (19.75 cm) Width: 5 inches (12.8 cm) AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. François-Emile Décorchemont...

Francois Decorchemont Pate-de-Verre Chameleon Paperweight sculpted with orange and clear bubbled glass. Francoise Decorchemont pioneered the pate de Verre industry in the turn of the...

François-Emile Decorchemont Pate-de-Verre Glass Mold Of A Female Ladies Face. A rare, large and very heavy sculpture of either a mask or a modeled face. At 3.5 inches thick in glass with a peach, pink or rose color; this statue was exhibited in the Brooklyn Museum, New York in 1971. With much research; I haven’t seen or heard of a similar form by Decorchemont. The original Brooklyn Museum loan sticker is on verso with the Decorchemont stamp on her left cheek. For serious collectors or rare Art Deco, Art Nouveau glass. Circa 1910 Molded Signature DECORCHEMONT Height: 7 Inches (13.3 cm) Width:. 5.2 Inches (16.5cm). AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. François-Emile Décorchemont French, 1880-1997 François Décorchemont, originally an accomplished painter and potter of recognized ability, turned to the making of glass in 1904. Pâté de verre was the medium in which he excelled and for which he is best known. After studying decorative art in Paris, François Décorchemont returned to his native Conches in 1910 to develop new techniques in stained glass, particularly in the use of crystal to give multicolored and faceted panes. After 1909, while continuing to produce fine glass paste pieces, Francois Decorchemont began to experiment with a new casting technique. François Decorchemont, Emile's son and also an artist, helped out in his father’s studio, in particular helping him to research the possibilities of creating jeweled adornments in pates d'email (enamel pastes) for Gerome's polychrome sculptural creations. Francois Décorchemont, a potter and painter at the outset of his career, became fascinated with the IDEA of developing and utilizing a thin translucent glass material in his work. It was in essence the revival and an adaptation of a long forgotten Egyptian glass-making process using colored crystal powdered glass, metallic oxides and an adhesive paste. This "new" material, known as pâte de verre was developed around the turn of the century, principally at the Sevres porcelain factory, by a number of artists working there, notably Henri Cros and Albert Dammouse. The end of the 19th century was an illuminated period in the history of art. Impressionist painting appeared and created an interest in glass as material. Traditional sculpting materials such as bronze and marble made way for glass with its possibilities of light and color. Henry Cros and François Décorchemont became the leaders of French pâte de verre and facilitated the proliferation of this colorful glass. His first major work, in 1934, was inn the Eglise Sainte-Odile near Porte Champerret in Paris, some 300 square meters of brilliant colors. After the war, he devoted his work to churches in the Eure, including of course Beuzeville where, thanks to the generosity of the local council, the church is lit at night so that his work can be admired from outside. During the first half of the 20th century a number of French artists became famous for their work in pâte de verre, and Francois Decorchemont among them. March 2014, 20th Century’s Greatest Art Dealer Felix Marcilhac’s Collection Privee at Sotheby’s - Chang Yi Entrusts Antoine Leperlier in the Bidding of a Francois Decorchemon's Original. It has been reported that Felix Marcilhac’s Collection Privee auction at Sotheby’s brought in 33,125 Euros (28,000 RMB), three times the estimated price. Marcilhac is considered the greatest Art Deco dealer...

Francois Decorchemont footed glass bowl of pate de verre in mottled blue with swirling design. Marked and incised. France. Circa 1926.

Vase “Fleurs de Pechers” (Peach Blossom) made in coral, green, black and purple glass pate de verre by Gabriel Argy-Rousseau in 1920. Molded signature. Perfect condition. Sublime...

Gabriel Argy-Rousseau (1885-1953) "Abstract Vase" Vase, circa 1923 Moulded signature G. ARGY-ROUSSEAU, Pate de verre glass Measures: Height 7....