Rare Kinkozan Totai Shippo Japanese Cloisonne on Porcelain Bottle

A large pair of antique Japanese Totai Shippo cloisonne enamel and Satsuma porcelain vases, Meiji era, 1868 to 1912. Of a baluster form, on the b...

A pair of Japanese covered Totai enamel on porcelain bottles. The wares are enameled with polychrome figural medallions representing blossoming flowers surrounded by floral, foliage ...

An antique Japanese late Meiji era covered Totai enamel on ceramic ginger jar. Circa: late 19th century to early 20th century. The ware is enameled with a polychrome fan shaped medallions with blossoming flowers, bamboo trees, grapes, surrounded by a geometrical pattern made in the Cloisonne technique. The cover of the ware is decorated with polychrome fan shaped medallions with blossoming flowers. The neck and the lid are adorned with polychrome geometrical, and swirl motifs made in the same technique. Signed with red ink hieroglyphs, on the bottom. Totai Shippo...

A Japanese covered Totai enamel on porcelain ginger jar or box. The cylindrical shaped ware is enameled with polychrome floral, foliage and geometrical motifs on the turquoise ground...

A Japanese Totai Shippo cloisonne (cloisonné ) pottery plate. The plate has the usual cream coloured body that is normally associated with satsum...

A large Japanese ceramic vase from the end of Meiji period circa 1890-1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time based in Kyoto. In the typical style of satsuma made at the turn of 20th century, the vase is elaborately decorated with a rather unusual kinran-de (gold paint) and green enamel highlight on a mottled brown background. The painterly decoration depicts a large seasonal floral arrangement in a circular fashion. Besides the obviously superb craftsmanship, what sets this particular vase apart from many lower quality and mass-produced pieces is its tone-on-tone color pallet that is visually somber and the small and sensitive details that heralds the change of the seasons. When the viewer goes beyond the first casual glimpse of the blossom and foliage, one would notice that on the edges of certain leaves as well as along the stalks, there accumulates a very thin layer of the white dust that represents the frost. The flower in bloom are chrysanthemums. Despite of being splendid, they are the messengers of the autumn. The large lotus leaf was subtly rendered in a bended and slightly withered manner, just past its prime. Although the lotus is still in bloom, the prominent seed pod indicates it may be the last for the season. The sentimental capture of the change of the seasons is not unusual in Japanese art. This vase poetically represents such a subtle transition from summer to fall, perhaps depicting the very first frost. The neck of the vase is also slightly unusual with two rolled rings...

Very Rare Moriage Netting From our Japanese collection, we are thrilled to introduce this fine Japanese Moriage Cloisonne Enamel Vase. The Cloisonne Enamel Vase of baluster form wi...

A miniature Japanese ceramic vase from the end of Meiji period circa 1880s- 1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time ...