Sculptural Neutro Vessel by Ia Kutateladze

Macropha vessel by Ia Kutateladze Dimensions: W 37 x H 28 cm Materials: Raw Black Clay “Playground For Salvation” was created entirely during quarantine, in my Berlin studio. Th...

Sculptural moon vase by Ia Kutateladze Dimensions: W 23 x H 25 cm Materials: Raw black clay Moon vase is a bold ceramic piece, hand-built from black clay. Inner surface is glaze...

Sculptural fragment vase by Ia Kutateladze Dimensions: W 20 x H 30 cm Materials: Raw black clay Fragment 01 vase is a sculptural, functional object hand-built from black clay. T...

Sculptural fragment vase by Ia Kutateladze Dimensions: W 20 x H 30 cm Materials: Raw black clay Fragment 02 vase is a sculptural, functional object hand-built from black clay. T...

Ammonite vessel is a unique steel & moon gold sculptural vessel by the British artist Claire Malet. Created from an oxidised re-formed steel can and hand-gilded on the interior with ...

Kawa Series Large Vessel 05 Oversized white ceramic vessel with textured porcelain exterior surface and clear glazed interior. Made by casting liquid clay into sewn leather molds, a...

Organic free form vessel or urn with lid by Willem Schalling. This sculptural vessel is hand sculpted and glazed in deep blue, with an over glaze in chalk white applied in vertical s...

Striped Fold III is a unique sculpture by the British artist Steven Edwards, created from white and coloured parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...