Tall Porcelain Sculptural Vessel in White and Blue by Thomas Naethe

Two elongated sculptural Studio Pottery vases, of which one with double neck, are made on the turning wheel and partly hand sculpted. They are glazed in blue and brown over flowing glazes. They are sculpted by M Fisher...

Tall ornamental art vessel in triangular form with lid is hand formed in porcelain by international acclaimed ceramist Jutta Albert (B 1954, Germany). The white un-glazed body is ele...

Organic free form vessel or urn with lid by Willem Schalling. This sculptural vessel is hand sculpted and glazed in deep blue, with an over glaze in chalk white applied in vertical s...

Sculptural hand formed vessel / vases by Willem Schalling. He made a number of vases from the late 1950s till the 1980s. He lived and worked in Amsterdam and was an assistant to the sculptor Hildo Krop who executed ornamental details for bridges and houses during the 1930-1940s and contributed to the School of Amsterdam...

Tall large bottle shaped white and black stoneware clay and porcelain vessel with heavy volcanic textured glaze and lava stone. There is an option to add gold lustre or black feather...

Kawa Series Large Vessel 05 Oversized white ceramic vessel with textured porcelain exterior surface and clear glazed interior. Made by casting liquid clay into sewn leather molds, a...

A large porcelain vessel with leather textured exterior surface and clear glazed interior. As a result of the production process each item is one-of-a-kind. A multitude of small leather panels are sewn together to create the leather mold for the Kawa Series...

'Promenade IV’ is a unique porcelain sculpture by the British artist, Jo Taylor. Dramatic in scale Promenade IV is a sheer triumph over the material employed. Known for being one of the most difficult ceramic bodies to work with, scale is always a challenge with porcelain and with this artwork, Taylor excels. Knowing her clay is everything, created in sections allows architectural scale whilst adding grog (pre-fired grains of clay) gives stability and strength. Adorned with her trademark flourishes adds glamourous movement throughout the piece. Taylor’s inspiration comes from highly decorative architectural features such as ornate plaster ceilings, wrought iron and carved stone. Living near the Georgian city of Bath (UK) provides a rich visual resource, although it can be said that she will seek out such details wherever she goes. Regular visits to our larger cities such as Liverpool (UK) and London (UK) offer ornament that can be experienced on a grander scale with their historic buildings such as the Sefton Park Palm House and the V&A holding many further examples. Further afield the architecture of Gaudi in Barcelona, the palaces of Potsdam and the Villa D'Este in Tivoli have all provided inspiration. In her own words: ‘I enjoy the grand gesture present in large scale relief, the drama of deep shadow, the dialogue between space, structure & ornament. The changing light conditions of bright sunlight, a dull day, dusk or artificial light can affect the contrast and way the structure is perceived’ Taylor’s current practice has been evolving since graduation from her MA at Bath Spa...