Tall Wicker Vase or Vessel

Giovanni Gariboldi (1908-1971 ) An imposing and tall vase or umbrella stand in glazed ceramic by Giovanni Gariboldi for Richard Ginori Italy, 1940's With maker's mark underneath ...

Wonderful unique tall stoneware vase by German artist Sabine Mooshammer, circa 1992. This piece of art Studio Pottery is really rather exquisite with the beautiful blue and white 'mosaic' inclusions throughout the main body of the vase together with the terracotta colored inside rim with multicolored blue, green, turquoise and yellow inclusions. Could also be used as an umbrella stand or for displaying vintage walking sticks...

Wonderful unique tall stoneware vase by German artist Sabine Mooshammer, circa 1992. This piece of art Studio Pottery is really rather exquisite with the beautiful blue and white 'mo...

Mid-century decorative tall vase by Albert Thiry (circa 1960s). A gentle creamy-white glaze encompasses the exterior of the tall vase (it could also be used as an umbrella holder) to...

Umbrella holder or large vase signed Albert Poizat, 2002. In handmade earthenware, two faces are painted by the artist on each side of the object, standi...

Stunning live edge sculptural vase standing over 3FT. Measures: 3.5ft. The blown glass can hold floral. A great entry or centerpiece.

Whimsical midcentury Majolica or glazed terra cotta umbrella or cane Stand in the form of Italian military boots complete with tassels and spurs.

Born in Melrose, Ohio in 1922, Clyde Burt would go on to become a major voice in American studio ceramics. He studied at Fort Wayne Art School and later at the Cape Cod School of Art before landing at the Cranbrook Academy of Art to study under Maija Grotell. While Grotell is responsible for bringing the wheel to Cranbrook, Burt made it central to his practice and his thrown works express the same endless curiosity as his teacher. Upon returning to Ohio, Burt built a home studio on his family’s farmland near the Little Auglaize River and harvested rich clay from the surrounding area. He started every day at 5:30 in the morning and would work until he knew he “had enough”. Constantly experimenting with glazes, colors and surface decoration, Burt painstakingly recorded his successes and failures in a small notebook...

8-281 Red and gilt metal cachepot or magazine rack with handles and on decorative feet.

Bactrian Alabaster offering vessel, second millennium BC, A small veined alabaster vessel with asymmetric waisted cylindrical form. The interior half way down in a U boul. Composite ...