Timo Sarpaneva "Kotilo" vase, by Venini & Co., Italy, 1990

Celebrated glassmaker Timo Sarpaneva was a pioneer of Finnish postwar design. He led the formation of the utilitarian and artistic side of mid-century modern style. Sarpaneva’s glass vases, serveware and table lamps have a sculptural yet functional quality, making them adaptable for both decorative and utilitarian use.

Sarpaneva was born in 1926 in Helsinki and spent his childhood visiting his grandparents in the countryside. There, he was influenced by a barter economy where everything was made by hand and traded for services and wares.

In 1948, Sarpaneva graduated from the Institute for Industrial Arts in Helsinki (now the University of Art and Design Helsinki). He participated in the 1951 Triennale di Milano, submitting an embroidered coffee cozy that confused but delighted the judges and garnered a silver medal.

Around this time, Sarpaneva began experimenting with glassblowing. He transformed the traditional wet-stick method by creating a bubble within the molten glass, allowing him to work from the inside out. In 1954, he returned to the Triennale di Milano and won his first Grand Prize.

In the 1950s, Sarpaneva was hired at the glassware company Iittala, where he became a leading glass designer. Sarpaneva even designed the company logo, which is still used today. He worked for the company for over four decades until his death in 2006 at 79. 

Sarpaneva’s illustrious career earned international recognition. His honors included being named Honorary Royal Designer for Industry by the Royal Society of Arts in London in 1963. He received honorary doctorates from the Royal College of Art in London in 1967 and the University of Art and Design Helsinki in 1993.

In 2018, the Helsinki Design Museum exhibited a retrospective of “the golden boy of Finland’s Golden Age of design”.

On 1stDibs, find vintage Timo Sarpaneva decorative objects, serveware, lighting and more.

Beginning in the 1930s — and throughout the postwar years especially — Venini & Co. played a leading role in the revival of Italy’s high-end glass industry, pairing innovative modernist designers with the skilled artisans who created extraordinary chandeliers, sconces and other lighting in the centuries-old glass workshops on the Venetian island of Murano.

While the company’s co-founder, Paolo Venini (1895–1959), was himself a highly talented glassware designer, his true genius was to invite forward-thinking Italian and international designers to Murano’s hallowed workshops to create Venini pieces — among them Gio Ponti, Massimo Vignelli, Finnish designer Tapio Wirkkala, Thomas Stearns of the United States and Fulvio Bianconi.

Paolo Venini trained and practiced as a lawyer for a time, though his family had been involved with glassmaking for generations. After initially buying a share in a Venetian glass firm — he and antiques dealer Giacomo Cappellin established Vetri Soffiati Cappellin Venini & C. in 1921 — Venini took over the company as his own in 1925, and under his direction, it produced mainly classical Baroque designs.

In 1932, Venini hired the young Carlo Scarpa— who would later distinguish himself as an architect — as his lead designer. Scarpa, working in concert with practiced glass artisans, completely modernized Venini, introducing simple, pared-down forms; bright primary colors; and bold patterns such as stripes, banding and abstract compositions that utilized cross sections of murrine (glass rods).

Paolo Venini’s best designs are thought to be his two-color Clessidre hourglasses, produced from 1957 onward, and the Fazzoletto (“handkerchief”) vase, designed with Bianconi in 1949. Bianconi’s masterworks are considered by many to be his Pezzato works — colorful vases with patterns that resemble those of a patchwork quilt.

Other noteworthy and highly collectible vintage Venini works include Ponti’s dual-tone stoppered bottles (circa 1948); rare glass sculptures from the Doge series by Stearns, the first American to design for the firm; Vignelli’s striped lanterns of the 1960s; the Occhi vases with eyelet-shaped patterns by Tobia Scarpa (son of Carlo); and, with their almost zen purity, the Bolle (“bubbles”) bottles designed by Wirkkala in 1968. 

With these works — and many others by some of the creative titans of the 20th and 21st centuries — Venini has produced one of the truly great bodies of work in modern design.

Find antique and vintage Venini chandeliers, serveware, table lamps, decorative objects and other furniture on 1stDibs.