Vases in Ceramic by Carl-Harry Stalhane for Designhuset

Stålhane played a major role in popularizing Swedish pottery during the 20th century, working for over thirty years at Rörstrand, one of the oldest ceramic producers in Europe. In th...

French painter, ceramist and poet, Paul Quéré worked as a potter throughout his career, first in Provence, then in Brittany, in his “poetry” in Ploneour-Lan...

Jacques Pouchain was particularly known for his minimalist style which was inspired by geometric shapes, reminiscent of his first vocation as an abstract painter. At the end of the 1...

Probablement 12e-15e s. Djenne du Mali (Afrique), belle engobe en terre cuite, col se terminant par une lèvre évasée, bel exemplaire. Objet de tombe provenant d'un ancien site Djenn...

Set of 4 chairs model CH24 in oak and Danish rope, designed by Hans Wegner in 1950 for Carl Hansen and those produced in 1973. This iconic model also known as the "Wishbone chair" has been recognized by many professionals as the perfect chair...

4 chairs model CH24 in an early version produced in 1973 and stamped by the cabinetmakers. They are in oak and Danish rope, with a warm and cool patina which makes them totally diffe...

A beautifully designed, richly, and deeply blue-colored/ glazed ceramic bowl by famed Swedish designer Carl-Harry Stålhane for Rörstrand, Sweeden. The craftsmanship and color are stu...

Originally designed by architect, designer and artistic director Guido Andlovitz in 1936 for Società Ceramica Italiana Laveno, this pair of vases are indeed the rarest of finds. The vases were manufactured in 1942, as attested to by the marking "N - 42" on the base of each vase. The gold rims and aquatic scenes that surround each vase, are unique to each piece and were painted by hand in 1943. They are both signed by the artist "Miruccia". One of the vases has the words “Anni di Guerra” (Year of War) written on the base in reference to the Second World War . Founded in Laveno in 1856 by Severino Revelli and some former employees of the "Richard" manufacturer in Milan. The "SCI" (Italian Ceramic Society) began its activity as a manufacturer of wall tiles and fine tableware. In 1883 it became a limited company and obtained its first successes at numerous national exhibitions. In 1895, Cavalier Luciano Scotti took over the company and, thanks to his intuition and his entrepreneurial skills, the factory grew substantially in a few years. In those years, some Liberty-style pieces designed by Giorgio Spertini, the author of noteworthy elegant "whiplash" creations, were created in the Laveno factory. In 1906 "SCI" presented numerous works at the International Exhibition of Decorative Arts in Milan. Other collaborators from the beginning of the century were Silvio and Piero De Ambrosis, Felice Palucco, Giancarlo Jacopini and the brothers Marco and Luigi Raggiori. However, it was in 1923 that, under the direction of Guido Andlovitz, the company reached the peak of its fame and in 1925 was a resounding success at the 2nd Monza Biennale. Andlovitz, who collaborated with the manufacturer for almost forty years, applied to the production process the principle of seriality, a concept also put into effect by Giò Ponti at "Richard-Ginori", adopting various types of decoration which, although moulded and decal stamped, still retained an undeniable elegance. In 1924 the "Società Ceramica Revelli" became a consortium with the "SCI", the partnership would continue until 1932 and saw Franco Revelli's company marketing pottery and table porcelain on behalf of "SCI". From 1925 porcelain and crockery began to appear in the factory's catalogs. In 1927 the company was present at the 3rd Biennial of Decorative Arts in Monza. Between the end of the 1920's and the beginning of the 1930's, the decorators Giuseppe Bellorini and Daniela Ferretto began to collaborate with the "SCI". As of 1932 the company managed two factories: that of Laveno, which, with over 1300 employees, produced strong pottery, tableware and artistic ceramics and the smaller factory of Verbano, which employed about 400 people and produced, in addition to ceramics for the electrotechnical industry, excellent table porcelain. The products were marketed in the company owned stores in Rome, Genoa and Naples. This was an initiative realised by Andlovitz himself. In the mid-thirties, the decorators Ada Corsi and Ida Fonini among others, collaborated with the "SCI". From 1936 to 1940 the artistic direction of the company was entrusted to the sculptor and modeler Angelo Biancini. In 1939 about 1300 people worked in the Laveno plant and in 1951 about 2300. In the years between the two wars among the collaborators of the factory were Sirio Tofanari...

The “Andy” ceramic collection VG presents a collection of Classic sculptures which revisits the techniques of pop art. The original work is taken apart; a few details are then remove...

VG presents a collection of classic sculptures which revisits the techniques of pop art. The original work is taken apart; a few details are then removed and highlighted, becoming t...

The “Andy” ceramic collection VG presents a collection of Classic sculptures which revisits the techniques of pop art. The original work is taken apart; a few details are then remove...

A ceramic vase with glaze decoration by Alain Girel. Perfect original conditions. Signed at the base. Circa 1985. Unique piece.