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Art Nouveau Bronze Mermaid Ash Receptical

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Art Deco / Machine Spun Aluminum Modernist Lobby Ash Stand / receptical
By Kurt Versen
Located in Buffalo, NY
Art Deco / Machine Spun Aluminum Modernist Lobby Ash Stand / receptical.. Amazing design,, retains original insert.
Category

Vintage 1940s American Art Deco Tobacco Accessories

Materials

Aluminum

Unusual Art Nouveau Style 3 Panel Decorative Wrought Iron Screen/Divider
Located in Buffalo, NY
Stunning Art Nouveau style 3 panel iron screen / room divider, Highly decorated, wonderful patina and color pierced iron, lattice, tree motif, Superior qu...
Category

Vintage 1950s Italian Art Nouveau Screens and Room Dividers

Materials

Wrought Iron

Unusual Art Nouveau Woman, Carved Wood and Metal Pipe Holder Wall Plaque
Located in Buffalo, NY
Unusual Art Nouveau woman, relief carved wood and metal pipe holder wall plaque. Stunning nude, wonderful detailing.., bronze mounted, hand forged pipe holders, carved wood match hol...
Category

Vintage 1920s American Art Nouveau Mounted Objects

Materials

Bronze

Unusual Art Nouveau, Surrealist Coat / Hat Stand, Carved Wood, Minimalist
By Atelier Majorelle
Located in Buffalo, NY
Unusual Art Nouveau, Surrealist Coat / Hat Stand, carved wood, minimalist design.
Category

Vintage 1930s American Art Nouveau Abstract Sculptures

Materials

Wood

Stylized Art Deco, , W P A Bronze, , Woman bust, signed
Located in Buffalo, NY
Stylized Art Deco,,W P A Bronze,,Woman bust, signed but wasn't able to identify? Powerful image! Extremely well executed.. I believe it is German..
Category

Vintage 1930s German Art Deco Busts

Materials

Bronze

RARE Art Deco Butler holding ash tray figure Black Americana made in Germany
By Ronson
Located in Buffalo, NY
RARE Art Deco Butler holding ash tray figure Black Americana made in Germany,,, Great little item.. extremely rare..
Category

Vintage 1930s German Art Deco Figurative Sculptures

Materials

Brass

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Art Nouveau Pearl Mermaid Porcelain Plaque by Emile Jacob
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With artful and sensuous handling of material, Emile Jacob demonstrates his life-long love of learning with a technical mastery of porcelain and glazes as well as an awareness of current artistic trends such as Japonisme and l’Art Nouveau. From a bird’s-eye view perspective popularized by Japanese wood block prints circulating in Europe, Jacob immediately confronts the viewer with the sea. The variegated blues and greens take on every murky depth, every iridescence produced on a sun-filled water’s surface; while the suggestion of movement created by undulating patterns of water morphs into sand ridges caused by breaking waves as the viewer nears for a closer examination. The effect is remarkable. Upon closer scrutiny, the abstracted ridges create an affect of being even farther away from the sea, as if high in flight. The same captivating qualities are achieved by the opaque and crystalline glazes to suggest the interior of an oyster’s shell. The ultimate pearl, a female nude, is voluptuously modeled; fusing as one with her seascape, her hair spreads out in wavy tendrils and her graceful, long fingers wrap around the plaque’s edge. Literature: Arthur, French Art Nouveau Ceramics: An Illustrated...
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