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A Massive Napoleon III French Silvered Bronze Mirrored Surtout De Table Plateau

$55,000List Price

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19th Century French Silvered Bronze 2-Piece Surtout de Table
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A Palatial French Gilt Bronze Mirrored Surtout de Table with Jardiniere, L-74.5
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Measuring 74 ½ inches long, this palatial gilt bronze mirrored surtout de table would make a wonderful centerpiece for a dining room table. Its towering jardiniere rises over 14 inch...
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Decorate a console or dining table with this elegant antique centerpiece. Crafted in France circa 1950 and made of bronze with silver, the "Surtout de Table" (table centerpiece) stan...
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Empire Style Gilt Bronze and Mirror Surtout de Table Centrepiece
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Empire style gilt bronze and mirror surtout de table centrepiece French, 20th Century Height 13.5cm, width 318cm, depth 66.5cm This French-crafted tab...
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Located in London, GB
This superb large surtout de table was made in France circa 1900. Consisting of three separate parts that can be joined together or used individually - have a look at all our picture...
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Surtout de table gilt bronze louis XVI style after the work of GOUTHIERE This high end work is a master piece of a parisian bronzier of his time , probably by one of the best name o...
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Exquisite Napoleon III French Ormolu Figural Basket Centerpiece, Circa 1880
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An exquisite Napoleon III French ormolu figural basket centerpiece, Circa 1880, Attributed to Alfred Emmanuel Louis Beurdeley. Depicting four mercury-gilded bronze ormolu cherubs holding a basket, the base with trophies and scrolling. This monumental centerpiece...
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A Rare 1859 Elkington Silvered Bronze Victorian "Trophy" Centerpiece
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A Rare and Historic 1859 Elkington Silvered Bronze Victorian Centerpiece with Cut-Glass Bowl. Presenting a magnificent Victorian silvered bronze centerpiece of unmatched rarity and importance, crafted by the renowned Elkington Mason & Co., Birmingham, in 1859. This exceptional work, complete with its original cut-glass bowl, epitomizes 19th-century British craftsmanship and artistry. Hallmarked to the base, this centerpiece showcases intricate sculptural details, embodying a high level of technical prowess and aesthetic refinement characteristic of Elkington's celebrated works. The centerpiece's striking design features three meticulously rendered figures—a young hunter, a friar, and a fishmonger—each embodying elements of Victorian life and industry. At their feet, a loyal spaniel and various game highlight the naturalistic approach to the composition, enhanced by the masterful chasing and dynamic form. This sculptural ensemble rests on an elaborately decorated base, exuding both grandeur and narrative depth. Adding profound historical value are two engraved plaques. The first, dated “January 28, 1859,” reads: “Presented to William Johnson Esq. as a token of respect & esteem by the workpeople in the employ of Messrs Richard Johnson & Brother, Manchester.” The second, an inscription from 1941, states: “Worshipful Company of Tin Plate Workers, Alias Wire Workers of the City of London, Presented by Arthur Laurence Johnson M.A., Grandson of William Johnson, both Wire Workers, with his Daughter Eleanor Morton Johnson, a Freeman of the Company, to commemorate his Mastership 1941-42.” These inscriptions chart a rich lineage, connecting the Johnson family to pivotal moments in industrial history. William Johnson, alongside his brother Richard, assumed leadership of a wire-drawing firm in 1838, which would later become Richard Johnson & Nephew Ltd. Their contributions included providing galvanized armored wire for the historic 1857 transatlantic telegraph cable...
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Palatial & Rare Napoleon III French Ormolu and Patinated Bronze Clock, Detouche
By C. Detouche
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A Palatial and Extremely Rare Napoleon III French Ormolu and Patinated Bronze Regulateur de Parquet Clock by Louis-Constantin Detouche, Paris, Circa 1850 An exceptional testament to the grandeur and technical mastery of 19th-century French horology, this palatial and extraordinarily rare Napoleon III ormolu and patinated bronze Regulateur de Parquet clock stands as a crowning achievement of the renowned Parisian horologist Louis-Constantin Detouche. Created circa 1850, this monumental timepiece exemplifies the perfect synthesis of artistic opulence and mechanical precision, distinguishing itself as one of the most impressive works from Detouche’s illustrious oeuvre. At over six feet tall, this clock’s imposing scale and decorative grandeur make it an object of immense historical and aesthetic significance. The case, crafted from the finest French ormolu, features two majestic patinated bronze seated putti, serving as allegorical figures and underscoring the artistic sophistication characteristic of the Second Empire style. The white enamel dial, elegantly signed "C. Detouche/Paris," affirms its prestigious maker, while the movement, meticulously numbered 7064 and bearing the stamps "C. Detouche RUE St. MARTIN" and "C. DETOUCHE 158 R. St MARTIN 160," speaks to the highest standards of 19th-century horological craftsmanship. Further distinguishing this piece is the medaille d’argent stamp, a testament to the numerous accolades and awards bestowed upon Detouche for his innovations in timekeeping. A Masterpiece of Horological Artistry: Louis-Constantin Detouche was not merely a clockmaker; he was a visionary whose contributions to horology redefined precision and complexity. This particular regulator clock...
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