Very Rare Late Georgian Mahogany Novelty Decanter Stand

A late Georgian brass bound mahogany oyster bucket, of oval form with three brass bands, wooden volute handles and the original brass liner. English, 1810.

This silver presentation vase is a small replica of the classical Roman ‘Warwick Vase’. The body is cast and chased with fruiting vines below the rim. The central field has a continuous band with bearded Bacchic heads floating above a lion’s mask and pelt. The applied handles comprise gnarled twisted vine stems. The spreading stem is set on a square foot which in turn sits on an ebonised wooden plinth base. The plinth is applied with two vacant laurel wreath cartouches and two rectangular plaques, one finely engraved with the Royal Coat of Arms and the other inscribed “Plymouth, Devonport and Cornwall Races 1845, the gift of her Most Gracious Majesty Queen Victoria, Augustus Coryton Esqr, W. R. Fortescue Esqr, Stewards” and “Her Majesty’s Vase, value 100gs., for three-year-old and upwards – Heats, about two miles, starting at the T.Y.C. Starting-post, once round, to the Grand Stand Winning-post.” Fully marked and stamped on the side of the foot ‘Hunt & Roskell Late Storr & Mortimer 2225’. English, assayed for London 1845. Provenance: Her Majesty Queen Victoria. Sir John Barker-Mill, Baronet of Mottisfont.Thence by descent. John Barker (1803-1860) was created 1st Baronet ‘of Mottisfont in the County of Southampton’ on 16 March 1836. A noted racehorse owner, Barker won numerous prestigious trophies with Giantess, Cymba, Miss Ellis and Pugilist. His most prestigious horse, Leviathan, sire of Giantess, won 16 of 21 starts and was sold to George IV for 2,000 guineas. Plymouth, Devonport and Cornwall Races were held from 1828 until 1930. The racecourse was a flat, oval course of 12 furlongs with a straight run-in of 2 ½ furlongs. ‘Royal Plates...

J. B. Waring describes this oxidised silver Testimonial as follows: “The Manchester Art-Treasures Testimonial is surmounted by a figure of genius contending with an eagle, around which are allegorical figures of Painting, Sculpture and Industrial Art. On the columns are the rose, shamrock and thistle and the motto of the Exhibition, from Keats’ Hyperion – “a thing of beauty is a joy for ever”. On the vase are the names of the principal artists whose works adorned the Exhibition, and on the angles infantine figures of Fame hold portrait medallions of Michael Angelo, Titian and Cellini”. On an ebonized stepped plinth. Assay marks, ISH, London, 1859. Published: J. B. Waring, Masterpieces of Industrial Art and Sculpture at the International Exhibition 1862...

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