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18th Century Ancient Faenza Pharmacy Jar Full Painted

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18th CENTURY PHARMACY ALBARELLO FAENZA
Located in Firenze, FI
Pharmacy albarello made of majolica, with a particular spool shape. The predominant glaze of the ceramic is white, on which there are decorations in blue and yellow. These decoration...
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Antique 18th Century Italian Ceramics

Materials

Maiolica

19th Century French Ceramic Pharmacy Jar
Located in Scottsdale, AZ
19th Century French Ceramic Pharmacy Jar. Unique piece purchased in France. Age appropriate wear, see detailed photo or message us with questions.
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Antique 19th Century French Napoleon III Ceramics

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Ceramic

Italian 18th Century Pharmacy Jar
Located in Baton Rouge, LA
The practice of healthcare and medicine may have changed since the 18th century, this Italian pharmacy jar from c. 1780 has enduring function and appeal....
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Antique 18th Century Italian Other Delft and Faience

Materials

Ceramic

Rare French 18th Century Biot Jar
Located in Charlottesville, VA
Fine, rare 18th Century French biot jar, having fabulous patination and lichen. Found in Provence.
Category

Antique 18th Century French Ceramics

Materials

Ceramic

Ceramic Drug Jar or Syrup Jar, Possibly Italy, 18th Century
Located in Madrid, ES
The decoration of ceramics in blue tones on a white background was common in Europe as far back as the 17th century (Dutch and English pieces, works in Talavera de la Reina in Spain,...
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Antique 18th Century Italian Neoclassical Ceramics

Materials

Ceramic

Ancient Italian Renaissance Maiolica Crespina, Faenza, 1580 Circa
Located in Milano, IT
Crespina Faenza, last quarter of the 16th century Maiolica painted in two colors, light blue and yellow, on a thick, rich layer of white enamel. It measures 2.24 in (5.7 cm) in height, 6.10 in (15.5 cm) in diameter. lb 0.55 (kg 0.25) State of conservation: mimetic restoration. The small cup has a raised central “umbone”, a perforated brim and a shaped rim. It rests on a high jutting foot. The "crespina" shape, in some inventories is cited as "tacce de frute" (fruit cups). It was particularly appreciated in the Renaissance and has variants based on the formal types and the different sizes. The decoration, made according to the dictates of the “compendiario” style, used few standardized colors: blue and yellow on a thick white and shiny enamel, deliberately chosen as the colour which was most reminiscent of silver. This choice derived from a trend in creative design of the era: the shapes used in the molds were often taken from metal objects. An idea which would last throughout the Renaissance. The work shows, in the middle of the “umbone”, a winged putto stepping forward while playing a long thin trumpet. The depiction of the putto is fully representative of the repertoire of the Faenza workshops of the sixteenth century. Some specimens with this type of decoration have been published in a volume by Carmen Ravanelli Guidotti: there appears the whole productive repertoire of this fundamental moment of transition between the taste for the “istoriato” style and the great simplification of decoration in the “compendiario” period. This style, in its simplicity, however, saw its expression in a rather varied collection of decorative subjects, including old-fashioned busts...
Category

Antique 16th Century Italian Renaissance Ceramics

Materials

Maiolica

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