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Ancient Maiolia Drag Jar or Albarello, Montelupo, 1490-1510

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Ancient Italian Maiolica Faenza, Ferniani Factory, Circa 1700
By Ferniani Factory
Located in Milano, IT
Centerpiece light blue maiolica shell Ferniani factory, early period: 1693-1776 Faenza, 1700 circa 5.5 in x 14.72 in x 13.77 in (14 cm x 37.4 cm X cm 35) lb 4.40 (kg 2) State of con...
Category

Antique Early 1700s Italian Baroque Ceramics

Materials

Maiolica

Ancient Italian Maiolica Faenza, Ferniani Factory, Circa 1700
By Ferniani Factory
Located in Milano, IT
Centerpiece white maiolica shell Ferniani factory, early period: 1693-1776 Faenza, circa 1700 Measures: 5.6 in x 14.72 in x 13.46 in (14.3 cm x 37.4...
Category

Antique Early 1700s Italian Baroque Ceramics

Materials

Maiolica

Ancient Maiolica Flower Pot Pasquale Rubati Factory, Milan Circa 1770
By Pasquale Rubati
Located in Milano, IT
Maiolica flower pot “a mezzaluna” decorated with tulip Pasquale Rubati Factory Milan, circa 1770. Measures: 4.7 in x 4.7 in x 8.6 in 12 cm x 12...
Category

Antique 1770s Italian Rococo Ceramics

Materials

Maiolica

Pair of Ancient Italian Maiolica Flower Pots Milan, Rubati Factory, 1770 circa
By Pasquale Rubati
Located in Milano, IT
Maiolica flower pot “a mezzaluna” decorated with trompe l’oeil Pasquale Rubati Factory Milan, circa 1770 Measures: each 4.7 in (cm 12) x 5 in (c...
Category

Antique 1770s Italian Rococo Ceramics

Materials

Maiolica

Ancient Italian Renaissance Maiolica Crespina, Faenza, 1580 Circa
Located in Milano, IT
Crespina Faenza, last quarter of the 16th century Maiolica painted in two colors, light blue and yellow, on a thick, rich layer of white enamel. It measures 2.24 in (5.7 cm) in height, 6.10 in (15.5 cm) in diameter. lb 0.55 (kg 0.25) State of conservation: mimetic restoration. The small cup has a raised central “umbone”, a perforated brim and a shaped rim. It rests on a high jutting foot. The "crespina" shape, in some inventories is cited as "tacce de frute" (fruit cups). It was particularly appreciated in the Renaissance and has variants based on the formal types and the different sizes. The decoration, made according to the dictates of the “compendiario” style, used few standardized colors: blue and yellow on a thick white and shiny enamel, deliberately chosen as the colour which was most reminiscent of silver. This choice derived from a trend in creative design of the era: the shapes used in the molds were often taken from metal objects. An idea which would last throughout the Renaissance. The work shows, in the middle of the “umbone”, a winged putto stepping forward while playing a long thin trumpet. The depiction of the putto is fully representative of the repertoire of the Faenza workshops of the sixteenth century. Some specimens with this type of decoration have been published in a volume by Carmen Ravanelli Guidotti: there appears the whole productive repertoire of this fundamental moment of transition between the taste for the “istoriato” style and the great simplification of decoration in the “compendiario” period. This style, in its simplicity, however, saw its expression in a rather varied collection of decorative subjects, including old-fashioned busts...
Category

Antique 16th Century Italian Renaissance Ceramics

Materials

Maiolica

Small Maiolica Flower Pots, Ferretti Manufacture, Lodi, circa 1770-1780
By Antonio Ferretti
Located in Milano, IT
Two maiolica flower pots Antonio Ferretti Manufacture Lodi, Circa 1770 - 1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire) The...
Category

Antique 1770s Italian Rococo Ceramics

Materials

Maiolica

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