Jens H. Quistgaard for Bing & Grøndahl, Relief Tea Service in Glazed Stoneware

Jens H. Quistgaard (1919-2008) for Bing & Grøndahl / Nissen Kronjyden. "Cordial" tea service in gray consisting of teapot, creamer and a sugar bowl. In perfect condition. 1960s. ...

Jens H. Quistgaard (1919-2008) for Bing & Grøndahl / Nissen Kronjyden. Seven parts Relief in glazed stoneware. Beautiful glaze in mustard yellow shades. 1960s. The candlestick mea...

Jens H. Quistgaard (1919-2008) for Bing & Grøndahl / Nissen Kronjyden. Three Relief bowls in glazed stoneware. Beautiful glaze in mustard yellow shad...

Jens H. Quistgaard (1919-2008) for Bing & Grøndahl / Nissen Kronjyden. Three Relief vases in glazed stoneware. Beautiful glaze in mustard yellow shades. 1960s. Measures: 15.5 x 10...

Jens H. Quistgaard (1919-2008) for Bing & Grøndahl. Rune teapot with a wicker handle, sugar bowl and cream jug in glazed stoneware. 1960s / 70s. The teapot measures: 22 x 21 cm (i...

Edith Sonne for Bing & Grøndahl. Glazed stoneware teapot. 1970's. Model number 654. Measures: 24.5 x 12 cm. In excellent condition. Stamped.

Mid-Century Mexican Modern solid brass and glass tile Mosaic coffee service by Salvador Teran. Reflective Copper toned 7-piece set. Featuring tile embellished Brass tea pot...

What a beautiful service this is, so many nice details. The French were great at designing and manufacturing these wonderful classic sets (a time gone by.) This particular one was designed and manufactured by H.L. Linton of Paris, each piece is stamped on the bottom and was made in England. The design is great, very cubist and somewhat asymmetrical (notice the elongated and angular shapes.) Not your typical French coffee service. Each piece has some very nice details with rosewood handles that have been delicately shaped in such a way to allow the cubist influence of the metal work desgin to stand out in very original way. Almost like a French cubist painting...

This is a nice Mid-Century English set designed by the company Picquot ware, this company is still in business today. Exclusive, modern design made fro...

Ceramic tea service by Fenice Albisola, Italy, 1940s. Dimensions: Cup D= 11 cm; H= 5 cm. plate D= 18 cm; H= 2 cm. teapot H= 12 cm; W= 25 cm; D=...

A classic old world Queen Anne Patterned Sheffield plate tea and coffee service including coffee pot, tea pot, sugar bowl, creamer and waste bow...

Set of 7 pieces ceramic tea service by Paul Bonifas signed lifas cabinetmaker, one small damage on the sugar pot see picture.

This is a vintage 6 person tea service. An English, ceramic decorative afternoon tea set with teapot and jugs, dating to the early 20th century, c...

Ariadne coasters in black volakas marble by Faye Tsakalides. Dimensions: 12 W x 12 L x 1 H cm. Materials: black volakas marble. Technique: crafted from a single piece of marble. Handcrafted, polished. Mat finished. Faye Tsakalides is a Greek architect and designer based in London and Athens. Faye creates for Marble Rituals collections of interior accessories and small furniture. The designs have a distinct Scandinavian and architectural expression, with clean lines and beautiful, durable stones in natural white and off-white tones. Every piece is designed down to the finest detail and adding attitude and a graphic touch to any home interior. All products are manufactured within the EU, in Greece, and sold internationally. Ariadne coasters make the perfect complement to any table setting. Being in the shape of a flower, they create a beautiful sculpture amidst your decorating. They come in a set of 2 for your needs and are the ideal width for the base of a standard wine glass. They will be ideal when it comes to paired back, luxury entertaining, or, even beside your bed for your daily cup of tea and glass of water. Place one in the bathroom for resting your jewels, your hand soap...

Rare ‚Chinese’ teapot with gold decor by swedish ceramist Signe Persson-Melin for Rörstrand in Sweden, early 1980s. Measures: width: 25 cm Depth: 10 cm Height: 13 cm. - „The ‚Chinese‘ tea...

Very good Vintage condition with normal trace of age and use for this white, red and black ceramic tea set with the original tray. Signed by M...

Denmark 'Flamestone' coffee or tea pot, creamer, and sugar by Jens H. Quistgaard for Dansk designs, circa 1958-1964. Features the Flamestone signature slate, almost brown glazed-ear...

Extremely rare "green relief" teapot by Jens Harald Quistgaard in soneware with handle of brass and cane wicker. Made at "Kronjyden" Pottery in the 196...

Denmark 'Flamestone' coffee or tea pot, four demitasses, four mugs, and eight saucers (four small / four larger) by Jens H. Quistgaard for Dansk Designs, circa 1958-1964. Features the Flamestone signature slate, almost brown glazed-earthenware with striated pattern and white porcelain interior (pitcher has a green tinge to the porcelain interior). Elegant, attractive set with only one fleck to the rim of one of the mugs (very minor and easy to miss -- see photos 15 and 16 for closeups). Early, Danish production, as indicated by the markings and rough exterior (a smooth version was introduced in 1964). Measures: Pitcher H 13.5" x L 7.5" x D 5" Coffee mugs H 3.75" x L 4" x D 3.13" Coffee saucers...

A very attracted to the smooth streamlined forms created on dark chocolate brown clay, along with his superb glazed white colour. In perfect condition.

Bing & Grondahl stoneware bowl in egg shell glaze #S839. Measures: 16 cm x 7 cm (6 1/3 inches x 2 3/4 inches).

Rare ceramic tea service for six in a very elegant light blue shade with decoration refined in pure gold, it was designed by Antonia Campi and manufactured by Laveno Ceramica in Verbano during the early 1950s. This set is composed of six (6) teacups, six (6) tea saucers, one (1) sugar bowl, one (1) teapot, and one (1) milk jug. Measurements: -Six cups 6 x 8 x 5.5 cm (each) -Sugar bowl 9 x 12 x 7 cm -Teapot 19 x 16, 5 x 9.5 cm -Milk Jug 11 x 12 x 7 cm. In 1856 Carlo Caspani, Alessandro Carnelli, and Severino Revelli, three employees of the Richard Ginori ceramics factory in Milano, set up the Società Ceramica C.C.R. making use of a disused building that had been a glass factory near the lakeshore. Production mainly consisted in fine earthenware and fire bricks. One of the key choices for the success of this initiative was an industrial-scale production of low-cost earthenware for domestic use. The manufacture of Laveno was gaining reputation; so that in 1869 part of its activity had to be moved to a new building called “Lago”. In 1883 it adopted a new denomination, Società Ceramica Italiana (with an S.C.I. trademark) that was to become famous. During this period, S.C.I. was led by bright managers: Tommaso Bossi and his successor Luciano Scotti, a graduate in engineering who led the company all the time from 1895 to 1956, raising it to its top level of capacity and production. In 1925 the Mulini plant was built in the Boesio area, where the blends and ''bodies'' were prepared. The Magazzini Generali (a warehouse), were also built and directly connected to the railway network. All the factory sites were interconnected by a “Decauville” railway for transporting materials. Also in 1925 the Verbano plant was built, following an agreement with the German Rosenthal company, for producing porcelain tableware and, later, ceramic insulators. The drive for innovation in production technologies, that took place during the Twenties, was accompanied by an equally intense artistic development. During the twenty's the architect Piero Portaluppi started collaborating with S.C.I. and thanks to Luciano Scotti’s foresight, young Guido Andlovitz, who had entered the company in 1923, was appointed art director in 1925, who introduced a renewal in the style of shapes and decorations, so that towards the end of the 1920s Ceramica di Laveno competed with Richard-Ginori, for the leading position in the ceramic art of Italy. Near the end of the 1930s, collaboration was started with Angelo Biancini, who created a new product line of artisan taste. In the late Forties, the young Antonia Campi joins the company as a decoration worker. Immediately, Guido Andlovitz notes her ability and potential qualities, and moves her into the artistic department. Starting with her 1948 first tiny vase...