Antique Blue Delft Transferware Ginger Jar Vase Lion

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Antique Blue Delft Transferware Ginger Jar Vase Lion

About the Item

Item #: 11-483-0

Antique Blue Delft Transferware Ginger Jar Vase Lion

Comment:

Nice old one with vibrant color and lion ornament on top.

Mark: Petrus Regout

Petrus Regout / Royal Sphinx (1834 – 1969)

Petrus Regout founded a pottery and glass factory in 1834 in Maastricht, Holland. In 1899, the factory was renamed Sphinx, and was recognized as one of the most important Dutch tableware producers from the last half of the 19th century until WWII. Sphinx produced over 300 patterns of transfer printed ironstone dishware for domestic consumption. The blue & white transfer printed Delftware line was created from 1894 to 1931. From 1879 to circa 1930, the printed mark shows a profile of a sphinx sitting on a box with the words P. Regout & Co. Maastricht, sometimes with the word Delfts underneath, and sometimes with only the word Delfts without the sphinx logo.

The Queen of Holland honored Sphinx with the title Royal (Koninklijke) in 1959 on its 125th anniversary. At this time, Sphinx changed its printed mark to include the profile image of a sphinx inside a circle with the words Royal Sphinx Maastricht in the circle with a crown at the top. Often the word Delfts is printed under the circle. This mark was discontinued in 1969 when Royal Sphinx stopped production of Delftware. Royal Sphinx had Delftware made in its name by Boch until 1979 using a Boch printed mark.

Reference: Van Hook, Stephen J., Discovering Dutch Delftware: Modern Delft and Makkum Pottery (Alexandria, VA: Glen Park Press, 1998).

Object: Ginger Jar

Origin: Holland

Dimensions (inches:)

15.25H x 8W x 8D

Date: 1900

Condition:

GOOD

In overall good condition. Antique and vintage items by their very nature show normal wear to finish and miscellaneous scratches, nicks, and dings due to age and use. As we define 'good condition' relative to the stated age of the piece, we would expect to see 'character marks' consistent with that age and could include nicks or dings to a wooden or metal object, wear to a painted surface, speckling on a mirror, crazing or manufacturing glaze skips in ceramic finish, wear to a label, and some original decorative trim may be missing. If ceramic/porcelain restoration has been done, it is of museum-quality so that it is hardly discernable and would be mentioned in the listing. 'Good condition' would not include chips or cracks in any glass or ceramic item.

Item Specifics:

There is a chip in the glaze and crazing due to age and use.

Material:

CERAMIC

The word ceramics originates from the ancient Greek word keramikos, meaning potter’s clay. The practice of making ceramics has been in existence for nearly 30,000 years. Clay, the primary ingredient for any ceramic, is primarily made of aluminum silicate, which is a malleable soil from crumbling rocks. Ceramics can be grouped according to the type of clay used, the temperature at which the clay is fired, and the duration of the firing.

Misc: Transferware, Lion Ornament

TRANSFERWARE

Transfer printing was developed in England during the 1750s as part of the Industrial Revolution as a way to speed up the mass production process, and thereby lower the price of the goods. An image is first engraved on a copper plate, which is then inked and stamped on a piece of paper or fabric. The paper or fabric is then laid on the unglazed piece after its initial firing, much like applying a decal. The object is then glazed and fired, which permanently transfers the image to the ceramic. The manufacturer Wedgwood is generally credited with the widespread popularity of this decoration process. Flow Blue, Staffordshire, Blue Willow and some Delftware are created by use of the transfer printing process.

Style:

DELFTWARE

The European craze for blue and white Chinese export porcelain in the 17th century lead to the development of the Dutch East India Company, which imported millions of pieces of Chinese porcelain as well as other Chinese wares. In 1620, the death of Wan-Li (Ming Dynasty) interrupted the flow of goods to Europe. Dutch potters from the city of Delft quickly filled the gap in the market with their own production of blue and white ceramics that duplicated the look of Chinese export porcelain by using the tin-glazing technique learned from the Italians. The Delft potters were the first northerners to imitate the tin-glazed earthenware pottery of Italian majolica, or faience. Production of Delftware proliferated and by 1700 there were more than 30 factories in production of high-quality pieces in the city of Delft.

Delftware drew on Chinese designs for inspiration, but also developed European patterns. Decorative plates were made in abundance and featured native Dutch scenes with windmills and fishing boats, hunting scenes, landscapes, seascapes, and scenes of people in daily life. When Chinese exports re-entered the European market by 1685, they came back in color, especially in greens and pinks. This sparked the production of Polychrome Delft, which refers to the use of colors other than blue and white. Besides the popular cobalt blue on a white background, Delft potters had a full color range that consisted of yellow, orange, brown, green, purple, dark red, and black.

Despite the huge success of Delftware manufacturers, the market for Delftware eroded through the 18th century until eventually only one factory in Delft remained in existence. Joost Thooft bought the last remaining Delftware factory, De Porceleyne Fles, in 1876. Since that time, over one hundred potteries have come back into existence producing what is known as modern Delftware, which no longer uses the tin glazing method of majolica.

In the period from 1876 to 1940, many high-quality, beautiful pieces of Delftware were produced. The transfer printing process was also brought back at this time. After World War II, tourism began to play a larger role in the Dutch economy. More Delftware companies opened in the 1950s to 1970s, specializing in pieces made for the tourist trade. Delftware has been produced in Holland, Belgium, Germany, England, Japan, and the US, and is still in production today.

Shipping:

This item will be shipped within the Contiguous 48 United States via a Ground shipping service (UPS or FedEx), approximate 1-6 business day shipping time. EuroLux Antiques may ship some packages via USPS Parcel Post, approximately 2-9 business day delivery time, at its sole discretion. All shipments include insurance.

Additional Pictures:

In many cases, EuroLux Antiques has many more pictures of our items than this website allows us to place in our descriptions. If you are interested in seeing these additional pictures, please email or call us and we would be happy to send the pictures to you if they are available.

Dimensions:
Height: 15.25 in (38.74 cm)Width: 8 in (20.32 cm)Depth: 8 in (20.32 cm)
Materials and Techniques:
Ceramic
Place of Origin:
Netherlands
Period:
Early 20th Century
Date of Manufacture:
Antique 1900
Condition:
There is a chip in the glaze and crazing due to age and use. GOOD In overall good condition. Antique and vintage items by their very nature show normal wear to finish and miscellaneous scratches, nicks, and dings due to age and use.
Seller Location:
Newberry, SC
Reference Number:
Seller: 11-483-01stDibs: U1006268862146