6 Austrian Hungarian Pink Scalloped Pierced Reticulated Lotus Flower Plates 8.5"

Pair of scalloped edge plates by Hirsch. Features a magnificent polychrome floral design. Blank produced by MZ Austria (mark covered on base). Incised number 933. Franziska Hirsch...

Pair of two Minton plates, circa 1862. These superb quality Minton plates are from a dessert service shown at the International Exhibition of 1862 in London. The plates testify to the enduring influence of 18th Century Sèvres on the tastes of Victorian high society. The designs are far from being mere copies, however; while there are recognisable Sèvres elements, they are arranged in entirely new and delightful ways. On the rim are four imitation cameo heads of classical deities en grisaille on a red-brown ground, within oval reserves wreathed in laurel. The profiles are individually painted; compare, for instance, the winged helmeted heads of Hermes/Mercury and you will spot subtle differences. The cameo devices, used here for the first time by Minton, derive from the celebrated Sèvres dinner...

Set of three circa 1876-1889 Haviland & Co Limoges porcelain plates featuring Royal Vienna baroque styling, gold encrusted swag floral / beaded borders of pastel green, pink, and pur...

Late 18th early 19th century English Continental pewter charger / serving plate by Townsend & Compton (Thomas & Townsend Compton) of London. Round shape with recessed center and plai...

This is a beautiful plate made by Copeland in 1848. It is decorated with a sublimely painted flower arrangement by the artist Greatbatch. We have two sets of 8 of these plates available, as well as a few more separate ones; please see separate listings. The Copeland factory was the third iteration of the famous Spode factory, after the "Copeland & Garrett" period which transitioned into the "Copeland" period in about 1833. The Spode/Copeland factory was one of the most prominent potteries right from the start of English porcelain production in the late 1700s to the demise of the industry in the 1960s and ultimate closure in the early 21st Century. In fact it was the founder Josiah Spode who was responsible for the recipe for bone china that made English china production so successful in the two centuries to come. Throughout all the changes, their items have always remained of exceptionally high quality and many of the designs have become iconic. This plate was potted in fine white bone china, the rim meticulously reticulated in the "Gothic" shape. Reticulation was very time consuming and difficult, and just this detail would have made this plate expensive. The sublimely painted flower arrangement painted in the centre were done by Greatbatch, one of the well-known floral artists working for Copeland. Greatbatch was active between 1845 and 1860, and worked together with his brother R. Greatbatch, who was a talented gilder. They exhibited at the Great Exhibition of 1851. This plate would have belonged to a sublimely expensive dessert service. It is stamped with the small blue Copeland mark with interlocking C's, and painted in red with the pattern number 7913, dating it at the year 1848. Documentation: A plate of this service is shown on page 80 of Steven Smith's "Spode & Copeland: Over Two Hundred Years of Fine China and...

This is a beautiful plate made by Copeland in 1848. It is decorated with a sublimely painted flower arrangement by the artist Greatbatch. We have two sets of 8 of these plates available, as well as a few more separate ones; please see separate listings. The Copeland factory was the third iteration of the famous Spode factory, after the "Copeland & Garrett" period which transitioned into the "Copeland" period in about 1833. The Spode/Copeland factory was one of the most prominent potteries right from the start of English porcelain production in the late 1700s to the demise of the industry in the 1960s and ultimate closure in the early 21st Century. In fact it was the founder Josiah Spode who was responsible for the recipe for bone china that made English china production so successful in the two centuries to come. Throughout all the changes, their items have always remained of exceptionally high quality and many of the designs have become iconic. This plate was potted in fine white bone china, the rim meticulously reticulated in the "Gothic" shape. Reticulation was very time consuming and difficult, and just this detail would have made this plate expensive. The sublimely painted flower arrangement painted in the centre were done by Greatbatch, one of the well-known floral artists working for Copeland. Greatbatch was active between 1845 and 1860, and worked together with his brother R. Greatbatch, who was a talented gilder. They exhibited at the Great Exhibition of 1851. This plate would have belonged to a sublimely expensive dessert service. It is stamped with the small blue Copeland mark with interlocking C's, and painted in red with the pattern number 7913, dating it at the year 1848. Documentation: A plate of this service is shown on page 80 of Steven Smith's "Spode & Copeland: Over Two Hundred Years of Fine China and...

This is a stunning set of 8 reticulated plates made by Copeland in 1848. Each plate is decorated with a unique sublimely painted flower arrangement by the artist Greatbatch. We have a second set of 8 of these plates available, as well as a few separate ones; please see separate listings. The Copeland factory was the third iteration of the famous Spode factory, after the "Copeland & Garrett" period which transitioned into the "Copeland" period in about 1833. The Spode/Copeland factory was one of the most prominent potteries right from the start of English porcelain production in the late 1700s to the demise of the industry in the 1960s and ultimate closure in the early 21st Century. In fact it was the founder Josiah Spode who was responsible for the recipe for bone china that made English china production so successful in the two centuries to come. Throughout all the changes, their items have always remained of exceptionally high quality and many of the designs have become iconic. These plates were potted in fine white bone china, the rims meticulously reticulated in the "Gothic" shape. Reticulation was very time consuming and difficult, and just this detail would have made these plates expensive. The sublimely painted flower arrangements in the centre were done by Greatbatch, one of the well-known floral artists working for Copeland. Greatbatch was active between 1845 and 1860, and worked together with his brother R. Greatbatch, who was a talented gilder. They exhibited at the Great Exhibition of 1851. These plates would have belonged to a sublimely expensive dessert service. They are all stamped with the small blue Copeland mark with interlocking C's, and painted in red with the pattern number 7913, dating it at the year 1848. Documentation: A plate of this service is shown on page 80 of Steven Smith's "Spode & Copeland: Over Two Hundred Years of Fine China and Porcelain...

This is a stunning set of 8 reticulated plates made by Copeland in 1848. Each plate is decorated with a unique sublimely painted flower arrangement by the artist Greatbatch. We have a second set of 8 of these plates available, as well as a few separate ones; please see separate listings. The Copeland factory was the third iteration of the famous Spode factory, after the "Copeland & Garrett" period which transitioned into the "Copeland" period in about 1833. The Spode/Copeland factory was one of the most prominent potteries right from the start of English porcelain production in the late 1700s to the demise of the industry in the 1960s and ultimate closure in the early 21st Century. In fact it was the founder Josiah Spode who was responsible for the recipe for bone china that made English china production so successful in the two centuries to come. Throughout all the changes, their items have always remained of exceptionally high quality and many of the designs have become iconic. These plates were potted in fine white bone china, the rims meticulously reticulated in the "Gothic" shape. Reticulation was very time consuming and difficult, and just this detail would have made these plates expensive. The sublimely painted flower arrangements in the centre were done by Greatbatch, one of the well-known floral artists working for Copeland. Greatbatch was active between 1845 and 1860, and worked together with his brother R. Greatbatch, who was a talented gilder. They exhibited at the Great Exhibition of 1851. These plates would have belonged to a sublimely expensive dessert service. They are all stamped with the small blue Copeland mark with interlocking C's, and painted in red with the pattern number 7913, dating it at the year 1848. Documentation: A plate of this service is shown on page 80 of Steven Smith's "Spode & Copeland: Over Two Hundred Years of Fine China and Porcelain...