Samuel Alcock Plate, Melted Snow Border, Sepia Green with Flowers, ca 1822

View Similar Items

Chamberlains Worcester Dessert Service, White with Flowers, Regency, ca 1822

Samuel Alcock Plate, Melted Snow Border, Periwinkle Blue Lilac, Flowers, ca 1822

Samuel Alcock Footed Comport, Melted Snow, Periwinkle Lilac, Flowers, ca 1822

Samuel Alcock Porcelain Plate, Maroon with Flowers, Regency, ca 1825

Samuel Alcock Dessert Service for 12, Cobalt Blue, Gilt and Flowers ca 1822

Samuel Alcock Set of 4 Plates, Pastel Colours, Birds and Flowers, ca 1857

Samuel Alcock Dessert Service, Crested Alma Border with Birds, 1855

Samuel Alcock Porcelain Leaf Dish, Periwinkle Blue with Yellow Flower, ca 1822

Samuel Alcock Plate, Inverted Shell, Flowers, Provenance G.A.Godden Regency 1822

Samuel Alcock Teacup, Japanese Green Border, Flowers and Ladybird, ca 1843

Samuel Alcock Porcelain Teacup, White with Flower Sprays, ca 1823

Samuel Alcock Porcelain Basket, Alma Border, Pink, Black, with Bird, ca 1855

Want more images or videos?

Request additional images or videos from the seller

1 of 13

Samuel Alcock Plate, Melted Snow Border, Sepia Green with Flowers, ca 1822

About the Item

A plate with white melted snow border on a sepia green ground with gilt and full colour flower sprays, and a beautifully painted flower bouquet in the centre Provenance: Geoffrey A. Godden collection Pattern 843 Year: ca 1822 Size: 23cm diameter (9”) Condition: some rubbing and crazing The Samuel Alcock factory was operative in Staffordshire between 1822 and 1856, after which it was bought by Sir James Duke and Nephews. The factory started as a partnership between the young Samuel Alcock and the older Ralph Stevenson, who provided the factory and capital. Alcock quickly took the factory to great heights, building one of the biggest factories of its time. Alcock jumped on the new Rococo Revival fashion and served a huge new middle class market. The reason we now don't hear much about Samuel Alcock porcelain is that much of it has been mis-identified over the years and attributed to Coalport, Ridgway, Rockingham or others; Alcock did not mark any of his porcelain save a few rare pieces, and the numbering system is difficult to understand. However, the wares are still wide spread and many are of great quality. This plate forms part of the Murray Pollinger Collection of Samuel Alcock Porcelain. Murray Pollinger was a passionate collector of Samuel Alcock porcelain. He was known as a true gentleman, impeccably dressed, always kind and modest - even some of his porcelain collecting friends had no idea about the size and importance of his collection. From the mid 1980s until shortly before his death in 2022 he collected many thousands of pieces and painstakingly catalogued them. He also went on trips to Staffordshire to discover the history of Samuel Alcock from whatever little documentation has been preserved. Through his painstaking work, Pollinger was able to make sense of the pattern numbering system that was used, and this was a huge step forward in identifying and understanding the porcelain. A website with the results of his research will be made available over the course of 2023. While he sold off about half of his collection in 2016, the remaining half is now made available to a new generation of collectors. Antique British porcelain is never perfect. Kilns were fired on coal in the 1800s, and this meant that china from that period can have some firing specks from flying particles. British makers were also known for their experimentation, and sometimes this resulted in technically imperfect results. Due to the shrinkage in the kiln, items can have small firing lines or develop crazing over time, which should not be seen as damage but as an imperfection of the maker's recipes, probably unknown at the time of making. Items have often been used for many years and can have normal signs of wear, and gilt can have signs of slight disintegration even if never handled. I will reflect any damage, repairs, obvious stress marks, crazing or heavy wear in the item description but some minor scratches, nicks, stains and gilt disintegration can be normal for vintage items and need to be taken into account. There is widespread confusion on the internet about the difference between chips and nicks, or hairlines and cracks. I will reflect any damage as truthfully as I can, i.e. a nick is a tiny bit of damage smaller than 1mm and a chip is something you can easily see with the eye; a glazing line is a break in the glazing only; hairline is extremely tight and/or superficial and not picked up by the finger; and a crack is obvious both to the eye and the finger. Etcetera - I try to be as accurate as I can and please feel free to ask questions or request more detailed pictures!

Creator:
Samuel Alcock & Co. (Maker)
Dimensions:
Height: 0.75 in (1.91 cm)Diameter: 9 in (22.86 cm)
Style:
Regency (Of the Period)
Materials and Techniques:
Porcelain,Hand-Painted
Place of Origin:
England
Period:
1820-1829
Date of Manufacture:
circa 1822
Condition:
Wear consistent with age and use. Some rubbing and crazing but no damage.
Seller Location:
London, GB
Reference Number:
Seller: MP-ALC461stDibs: LU4805136628752