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Czech Mstisov or Moser Duha Range Ovoid Vase Designed 1964
About the Item
Heading : Czech Mstisov or Moser Duha range ovoid vase
Date : Designed by Vladimir Mika in 1964, this piece dates from the late 60s
Origin : Czechoslovakia
Bowl Features : Blue, green, and and clear glass in ovoid form
Type : Lead
Size : 13.8cm height, 11.5cm diameter
Condition :Excellent, no chips or cracks
Restoration : None
Weight : 1148 grams
- Creator:Mstisov (Maker)
- Dimensions:Height: 5.44 in (13.8 cm)Diameter: 4.53 in (11.5 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1964
- Condition:Wear consistent with age and use.
- Seller Location:Tunbridge Wells, GB
- Reference Number:Seller: MH2310071stDibs: LU8525236971182
About the Seller
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By Moser
Located in Tunbridge Wells, GB
Heading : Czech Mstisov or Moser Duha range ovoid vase
Date : Designed by Vladimir Mika in 1964, this piece dates from the late 60s
Origin : Czechoslovakia
Bowl Features : Blue, gre...
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Heading : Czech Mstisov or Moser Duha range bell vase
Date : Designed 1964 by Vladimir Mika - this example from the late 60s
Origin : Czechoslovakia
Bowl Features : Striped ink blue and emerald glass cased in clear
Type : Lead
Size : 15.6cm height, 13.8cm diameter
Condition :Excellent, no chips or cracsk
Restoration : None
Weight : 1601 grams
Mark Hill Comments :
The Duha range is typified by a 'rainbow' of horizontal bands in vibrant green, orange and blue, and heavily cased forms. Shapes are typically curving and organic, echoing the ductile, rounded nature of molten glass.
Itw as introduced in 1960, with the first designsb being by Vlastimil Svoboda. The range was enlarged in 1964, with new shapes designed by Vladimir Mika, although Svoboda also lays claim to these. These additional shapes were the last to be introduced at the Mstisov glassowrkds before it was closed and production was moved to the Moser glassworks at Karlovy Vary (Karlsbad).
Ovoid vase forms were produced using the 'wet stick' process, where a wet stick was thrust into the molten body of the piece when it was being formed. The water in the stick would turn to steam and expand the body. It would then be finished.
Quality was always high and examples with even and strong colours are now highly sought-after.
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