1999 "Bus Stops" by Darryl Pottorf for Illy Collection

Indulge in a timeless blend of artistry and espresso with the exquisite mint 1997 Fossile Espresso cup from the Artist Cups Espresso Tazzine D’Autore Illy...

Espresso cups by A.R. Penck, 1997 A beautiful and very rare set of espresso cups designed by A.R. Penck in 1997 for the Illy collection. The set ...

Three N.O.S. ( new old stock ) bakelite ashtrays produced by Kartell, Italy in the 1970's. Bakelite , “phenol formaldehyde” , was invented in 1906 by the belgian Leo Baekeland (18...

Stylish and elegant set of 6 hand blown long drink glasses from the 1970's. Produced by Arnolfo di Cambio in Italy. Depending on the light, the glas...

A spice rack that becomes an object of Art. This rotating teak wood spice wheel was made by Digsmed, Danmark in the 1960's. You rotate the wheel, choos...

Matteo Thun 1989 Hollywood collection for Tronconi, Italy. A pair of elegant and stylish table or bedside lamps designed by Matteo Thun. They reca...

The "Il Viaggi di Nettuno" pattern is inspired by Luke Edward Hall’s love of Greco-Roman mythology, and particularly Neptune, the Roman god of the sea, and his wife Salacia, the collection represents an unconventional vision of the art of the table, a dialogue between classical and modern. Drawings of the gods decorate plates, placeholders, cups and vases, and bold, unexpected colours infuse the chinaware with personality. With Il Viaggio di Nettuno collection, Ginori 1735 reinterprets the table in a modern vein with uniquely designed objects that are veritable artistic installations. Luke Edward Hall is an English artist and designer. Luke's philosophy is shaped by his love of storytelling and fantasy. Born in 1989 is described by both The Times and The Guardian as a "rising design star". He was educated at Central Saint Martins, and worked for Ben Pentreath...

The city of Siena in 1440 birthed the original lace items that provided the inspiration for a range of table accessories. Back then they were made with a crochet hook, now they are m...

The city of Siena in 1440 birthed the original lace items that provided the inspiration for a range of table accessories. Back then they were made with a crochet hook, now they are made using photogravure. They give a modern twist to an ancient version a memory and style soundly based in the traditions of this part of Italy. This gave rise to “Italic Lace”, a collection of refined placemats and coasters, designed for those who love to dress the table with elegance that is never casual. The finishes include shiny brass, glossy black, red and classical white. In 2003, designer, Maurizio Galante, teamed up with trend forecast analyst and designer Tal Lancman, to form Interware. Their crossover vision transverses the different design disciplines, from fashion to furniture, interiors, architecture and gardening. As the duo moves freely between disciplines, they revisit domains equipped with new understandings, insights and observations. The process results in a multi-faceted concept, with a subtle balance between the pragmatic and the irrational. Interware’s philosophy proposes a series of objects/companions; expressive, amusing, and thought-provoking designs, bestowing owners with their friendly presence. The team works on all elements of design and production, from trend research, to marketing, including definition of brand image, strategy, communication, packaging, and presentation. Clients and collaborations include American Express, Baccarat, Boffi Italia, Baleri, Chopard, Driade, Elipson, Felissimo Japan, Itochu Japan, Nokia, Nymphenburg, Pommery, Tai Ping...

The city of Siena in 1440 birthed the original lace items that provided the inspiration for a range of table accessories. Back then they were made with a crochet hook, now they are m...

In the 1920s Gio Ponti, who defined 20th century Italian design, was the art director of Richard-Ginori, a venerable porcelain company established in the 18th century. When Ponti moved on in 1930, his protégé Giovanni Gariboldi, who also designed furniture and interiors, filled the vacated position. It would seem that Gariboldi found his model for these shell-shaped dishes in nature, but this is not the case. Rather, he channeled the essence of “shellness," and endowed his design with the faux verisimilitude of delicate ribbing along the scalloped edge. Yet he had them glazed in improbable candy-like pastel colors of pink, yellow, and blue. Originally used principally as ashtrays, no doubt, they could also be put to use as serving dishes for nuts and candies, or as decorative tabletop objects...

"The city of Siena in 1440 birthed the original lace items that provided the inspiration for a range of table accessories. Back then they were made with a crochet hook, now they are ...